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Pinero, and when they make jokes there is generally some humour in the joke and some intelligence in the humour. They have ideas and they have feelings. The ideas and the feelings are not always combined with faultless logic into a perfectly clear and coherent presentment of character, it is true. But from time to time we get some of the illusion of life.

And the old conventions have a long run yet before them. They cling even to the skirts of "The Second Mrs. Tanqueray." Indeed, the new school can scarcely be said to have appeared. The literary quality of our plays has improved, thanks to Jones and Pinero, and not forgetting Grundy. And that is all. The old school is as vigorous as ever.

Both plays were unusually well acted, and therefore may be contrasted without the necessity of making allowances for the way in which each was interpreted on the stage. Mr. Pinero is a playwright with a sharp sense of the stage, and eye for what is telling, a cynical intelligence which is much more interesting than the uncertain outlook of most of our playwrights.

"He was one of the most lovable characters I have ever had the good fortune to encounter," says Sir Arthur Pinero, recalling these occasions. "In what special quality or qualities lay the secret of his charm and influence? Surely in his simplicity and transparent honesty, and in the possession of a disposition which, without the smallest loss of dignity, was responsive and affectionate.