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There was something exceedingly kind in his tone of voice, a voice accustomed to command and yet much subdued. His manner towards children was particularly charming and attractive. He exemplified the lines in Emerson's "Wood-notes": "Grave, chaste, contented though retired, And of all other men desired,"

It is really funny that the "wood-notes wild" of those poor black slaves should have been played in a foreign laud as an honorable compliment to one of their white countrymen. After dinner we played whist, and then had some broiled bones for supper, and finally went home to our respective huts not much earlier than four o'clock.

The scope of our observations is to exhibit him in that light; we wish to insist that he was a man of forethought, that, though possessing creative genius, he did not dive recklessly into the sea of his fancy without knowing its depth, and ready to grasp every pebble for a pearl-shell; we wish to show that he was not what has been called, in the cant of a class who mistake lawlessness for liberty, an "earnest creature," that he was not "fancy's child" in any other sense than as having in his power a beautifully suggestive fancy, and that he "warbled his native wood-notes wild" in no other meaning than as Milton warbled his organ-notes, namely, through the exercise of conscious Art, of Art that displayed itself not only in the broad outlines of his works, but in their every character and shade of color.

And all around the place that child of the grape, the vine, doth flourish with its tendrils, and the merles in spring with their sweet songs utter their wood-notes wild, and the brown nightingales reply with their complaints, pouring from their bills the honey-sweet song.

of wood-notes, where the forest-horn is sovereign, awakening a widening world of echoes, with a murmuring maze of lesser notes. One has again the feeling that in the quiet interweaving of a tapestry of strains lies the individual quality of the composer, that the forte blasts, the stride of big unison figures are but the interlude.

The "native wood-notes wild" make themselves often heard, only they are almost as often stifled in the close air of the study. Strange to say, the last opus of mazurkas published by Chopin has again something of the early freshness and poetry. Schumann spoke truly when he said that some poetical trait, something new, was to be found in every one of Chopin's mazurkas.

The learned, and sometimes rather pedantic Milton was also of this opinion, when he says Our sweetest Shakespeare, fancy's child, Warbles his native wood-notes wild. Yet it is highly honorable to Milton that the sweetness of Shakespeare, the quality which of all others has been least allowed, was felt and acknowledged by him.

She retained that sweetness and symmetry, which death itself could not destroy; and though her discourse was incoherent, her voice was still musical, resembling those feathered songsters who warble their native wood-notes wild.

It is really funny that the "wood-notes wild" of those poor black slaves should have been played in a foreign laud as an honorable compliment to one of their white countrymen. After dinner we played whist, and then had some broiled bones for supper, and finally went home to our respective huts not much earlier than four o'clock.

He pointed out the fact that the author had had a terrible struggle with poverty all the days of his life, and made an appeal to his country 'to stretch out her hand and retain the native poet whose wood-notes wild possessed so much excellence. There seems little doubt that the concluding words of this notice led Burns for the first time to hope and believe that, through some influential patron, he might be placed in a position to face the future without a fear, and to cultivate poetry at his leisure.