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How we may till our lands and increase our crops; how we may build our houses, and buy and sell and get gain; how we may cross the sea in ships; how we may make "fine linen for the merchant," or, like Tubal-Cain, be artificers in brass and iron: as to these objects of this world, necessary indeed for the time, not everlastingly important, God has given us no clear instruction.
Kentigerners of the tribe of Tubal-cain, great artificers in steel and iron, and a mighty race of engineers before the Lord, who had carried their calling and accent beyond the seas? He knew, too, that the land of these delightful caravansaries overflowed with marmalade and honey, and that the manna of delicious scones and cakes fell even upon deserted waters of crag and heather.
Cain's descendants were of course drowned by the Flood, but they did a great deal more for the world than the descendants of pious Seth, who seems to have done little else than trust in God. The Cainites laid the basis of civilisation. One of them Jabal, founded cattle-keeping; his brother, Jubal, invented musical instruments; and their half-brother Tubal-cain first practised smithery.
Noema, sister of Tubal-cain, found first the craft of diverse texture. Lameth was a shooter, and used to shoot at wild beasts, for none use of the meat of them, but only for to have the skins for their clothing, and lived so long that he was blind and had a child to lead him. And on a time by adventure he slew Cain.
Josephus saith that the pillar of marble is yet in the land of Syria. Of Zilla he begat Tubal-cain, which found first the craft of smithery and working of iron, and made things for war, and sculptures and gravings in metal to the pleasure of the eyes, which he so working, Tubal, tofore said, had delight in the sound of his hammers, of which he made the consonants and tunes of accord in his song.
It ties together two creation stories and two flood stories; it duplicates several sets of mythic personages as Cain and Abel, Tubal-Cain and Jabal; it grafts the curse of Cham on the curse of Cain, making that finally the curse of Canaan; it tells the same offensive story twice of one patriarch and again of another; it gives an early "metaphysical" theory of the origin of death, life, and evil; it adapts the Egyptian story of the "Two Brothers," or the myth of Adonis, as the history of Joseph; it makes use of various God-names, pretending that they always stood for the same deity; it repeats traditions concerning mythic founders of races if all this be not "a medley of early fable," what is it?
Unlike Istehar, the pious maiden, Naamah, the lovely sister of Tubal-cain, led the angels astray with her beauty, and from her union with Shamdon sprang the devil Asmodeus. She was as shameless as all the other descendants of Cain, and as prone to bestial indulgences.
Fortunately, all these portions of the fresco are absolutely intact. Underneath, Tubal-Cain. Not Jubal, as you would expect. Jubal is the inventor of musical instruments. Tubal-Cain, thought the old Florentines, invented harmony. They, the best smiths in the world, knew the differences in tones of hammer strokes on anvil.
This position does not, of course, exclude the fact that in the original form of the tradition, Tubal-cain, Naamah, and other personages in the fourth chapter of Genesis were deities.
Gold was upon them, and that in some amount, and what was extraordinary, often enough in well-wrought shapes of ornament. A seaman brought to the Admiral a golden frog, well-made, pierced for a red cotton string, worn so about a copper-colored neck. He had traded for it three hawk bells. The Admiral's face glowed. "It has been wrought by those who know how to work in metals! Tubal-cain!"
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