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Updated: June 11, 2025
He walked away a few steps as far as the ground permitted and turned to look at the work above. "Not so bad," he murmured softly, " not so bad ... and better from the water." He glanced at the canal below. A white hand from a passing gondola waved to him and motioned approvingly toward the colors of the great wall. "Bravo, Tiziano!" called some one from another craft. The canal took up the cry.
The collection in the Institute is not to be compared to the British Museum at London, or the Louvre at Paris, but is probably the best in Scotland. Paintings from the hands of many of the masters, such as Sir A. Vandyke, Tiziano, Vercellio and Van Dellen, were hanging on the wall, and even the names of Reubens, and Titian, were attached to some of the finer specimens.
Titian, as we call him Tiziano Vecellio, or Vecelli, or Tiziano da Cadore, as he was called by his contemporaries was born in Cadore, a Venetian province. The year of his birth varies according to the biographer. Some say 1477, some 1480, some 1487 or even 1489 and 1490. Be that as it may, he was born in Cadore, the son of a soldier and councillor, Gregorio Vecelli.
"Could not your eccellenza set me about clipping the wings of the lion, or painting a better picture than Tiziano di Vecelli? I have a mortal dislike even to pass the mere compliments of the day with one of your cut-throats. Were any of our gondoliers to see me in discourse with the man, it might exceed your eccellenza's influence to get me a place in the regatta."
From Venice, likewise, have come many most beautiful engravings on wood and on copper; on wood, after Tiziano, many landscapes, a Nativity of Christ, a S. Jerome, and a S. Francis; and on copper the Tantalus, the Adonis, and many other plates, which have been engraved by Giulio Bonasone of Bologna, together with some others by Raffaello, by Giulio Romano, by Parmigiano, and by all the other masters whose drawings he has been able to obtain.
Questa e la famosa casa del gran pittore, l'immortale Tiziano, suoni, signore!" This is the famous house of the great painter, the immortal Titian. We retired amid the scorn of the populace.
The water trickling through two metal pipes in the pedestal beneath Saint Tiziano's feet, makes a pleasant murmuring in the old stone basin; while, half hidden behind this fountain, and leaning up as if for shelter against a larger house adjoining, stands-a small whitewashed cottage upon the side-wall of which an incised tablet bears the following record: "Nel MCCCCLXXVII Fra Queste Vmili Mura Tiziano Vecellio Vene a celebre Vita Donde vsciva gia presso a cento Anni In Venezia Addi XXVII Agosto MDLXXVI."
In like manner Battista da Verona, who is called thus, and not otherwise, out of his own country, after having learned the first rudiments of painting from an uncle at Verona, placed himself with the excellent Tiziano in Venice, under whom he has become a very good painter. When a young man, this Battista painted in company with Paolino a hall in the Palace of the Paymaster and Assessor Portesco at Tiene in the territory of Vicenza; where they executed a vast number of figures, which acquired credit and repute for both the one and the other. With the same Paolino he executed many works in fresco in the Palace of the Soranza at Castelfranco, both having been sent to work there by Michele San Michele, who loved them as his sons. And with him, also, he painted the façade of the house of M. Antonio Cappello, which is on the Grand Canal in Venice; and then, still together, they painted the ceiling, or rather, soffit in the Hall of the Council of Ten, dividing the pictures between them. Not long afterwards, having been summoned to Vicenza, Battista executed many works there, both within and around the city; and recently he has painted the façade of the Monte della Piet
After this, Caraglio engraved for Francesco Parmigiano a plate of the Marriage of Our Lady, and other works by the same master; and then another plate for Tiziano Vecelli, which was very beautiful, of a Nativity that Tiziano had formerly painted.
"Di Michel Angiol la terribil via E 'l vero natural di Tiziano," the study of the antique with the observation of real life, their works undoubtedly would never have taken such a hold on the minds of their contemporaries, nor kept it so long. Everything to live must have an infusion of truth within it, and this "patchwork ideal," as it has been well styled, was held together by such a principle.
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