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Updated: May 22, 2025
But this set of meanings runs imperceptibly into others, for the book is much like the cabalistic manuscript described in its pages: now it is blurred over with deceptive sameness, and again it brims with multifarious beauties like those that swim within the golden depth of Tieck's enchanted goblet.
That eminently "Romantic" play, Emperor Octavian , derived from a familiar medieval chap-book, lyric in tone and loose in form, is a pure epitome of the movement, and the high-water mark of Tieck's apostleship and service. Here Tieck shows his intimate sense of the poetry of inanimate nature; ironic mockery surrenders completely to religious devotion; the piece is bathed in
A fresh invitation was given, and I passed some delightfully cheerful hours with Raumer the historian, and with the widow and daughter of Steffens. There is a music in Tieck's voice, a spirituality in his intelligent eyes, which age cannot lessen, but, on the contrary, must increase.
Remember Tieck's magnificent tale, 'The Love-Spell. There is a deed mentioned in the papers I have been speaking of very analogous to the crime of the horrible woman in Tieck's tale. So that a death on the funeral pyre was often really the proper punishment for those fearful misdoings."
This thrust took effect, because Tieck's 'Sternbald' was Edmund's favourite book, and he would have been only too glad to have been the hero of that tale himself. So he then and there put on a very pitiful face, and was very near bursting into tears. "Well," said the goldsmith, "whatever happens, I am going to take Tussmann off your hands.
For his authentic history, see the article in the Biographie Universelle by Ginguené; for the legendary, Tieck's romantic tale, "Pietro von Abano" , which has been translated into English. Alexander the Rat-catcher. Cardinal Barbadico.
From the time of his leaving for Italy, Tieck's importance for the development of Romanticism becomes comparatively negligible. After a roving existence of years, during which he lived in Vienna, Munich, Prague and London, he made a settled home in Dresden.
Chamisso is Romantic in his interest in translations, in early reminiscences of Uhland's "castle-Romanticism," and in his poetry of indefinite longing, but his admiration for Napoleon and his tendency toward realism point the way which all Romanticism naturally took the way leading through Heine to Young Germany on the one hand and through Tieck's novelettes to realistic prose on the other.
Thoreau's little musical-box; but certainly its peculiar sweetness had evaporated, and I am pretty sure that I should throw it out of the window were I doomed to hear it long and often. It has not an infinite soul. When it was almost as dark as the moonlight would let it be, I lighted the lamp, and went on with Tieck's tale, slowly and painfully, often wishing for help in my difficulties.
At the conclusion, when the hero finds the beloved given up for lost, he cannot refrain from the outcry: "Yes, the moonlight has given her and led her to me, he, the moon has so rewarded me, his true friend and inspired panegyrist!" I regret that I find nothing in the biographies which would explain Tieck's exquisite amorousness toward the moon. Literary Section
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