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Updated: May 23, 2025


Ysaye taught the technic of expression as against the expression of technic. He gave the lessons of a thousand teachers in place of the lessons of one. The greatest technical development was required by Ysaye of a pupil; and given this pre-requisite, he could open up to him ever enlarging horizons of musical beauty.

Furthermore, I believe the time is coming when the technic and interpretation of every instrument will be taught in this way. "It is my intention to follow up this set of foundational records by others which will demonstrate the interpretation of songs and arias as they are sung by our greatest artists. The outlook is almost limitless.

But whether the future is to commit itself wholly to prose, or is to preserve in new conditions the essence of the poetry that, in one form or another, has persisted since plastic art began for the superstructure to be erected on the sound basis of just values and true impressions it is justifiably easy to predict a greater interest and a more real dignity than any such preoccupation with the basis of technic as Monet's can possibly have.

Nor can the truth they present be ascribed to the technic process, which we have supposed the same with each; as, on such a supposition, with their equal skill, the result must have been identical.

Although the operatic technic of removal of the thyroid gland for tumor has been greatly perfected by Billroth, Lucke, Julliard, Reverdin, Socin, Kocher, and others, the current opinion at the present day seems to be that complete extirpation of the thyroid gland, except for malignant disease, is unjustifiable.

"There is also a refining influence about which I would like to speak. The practice of Bach seems to fairly grind off the rough edges, and instead of a raw, bungling technic the student acquires a kind of finish from the study of the old master of Eisenach that nothing else can give him.

They went to school to certain of their elders to acquire that tradition of technic, past along from hand to hand, enriched by the devices of one after another of the strong men who had practised the art, following each in the other's footsteps and broadening the trail blazed by those who went first.

"I am always studying, always striving to improve what I have already learned and trying to acquire the things I find difficult, or that I have not yet attained to. I do vocal technic every day; this is absolutely essential, while one is in the harness. It is during the winter that I work so industriously, both on technic and repertoire, between tours. This is when I study.

Now most of us realize that any largely manual art, such as the technic of the piano, needs frequent repetition of muscular actions, in order to train the muscles; but few of us realize how fully this is true of mental arts, such as working arithmetical or strategical problems, though we know how easy it is to "get rusty" in navigation.

But more and more, as time passes, the playing of such artists as those already mentioned, and others like them, shows that the real musician is the lover of beautiful sound, which technic merely develops in the highest degree. "To-day technic in a cumulative sense often is a confession of failure. For technic does not do what it so often claims to produce the artist.

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