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The stirring, shaken sistra wrought a miracle of sound that set the nerves all tingling as the high priest, followed by his boys with swinging censers and the members of the priestly college, four by four, came chanting down the temple steps. Then came the grand Homeric hymn to Glorious Apollo, men's and boys' and women's voices blending in a surging paean like an ocean's music.

And the holy mystery of the Goddess answered to my Spirit's cry, falling in awful silence upon the face of the earth. Deeper and deeper grew the terrible silence; even the dogs ceased to howl, and in the city men stood still afeared. Then, from far away, there came the ghostly music of the sistra.

The last notes died away in distant echoes. There was silence for a hundred breaths; then music of flute and lyre and sistra as the priests retreated up the temple steps followed by fanfare on a dozen trumpets as the door swung to behind the priests.

To the sound of strange music produced by triangular harps, sistra, castanets, cymbals, and bugles, Egyptian clowns wearing high, white mitres of ridiculous shape advanced, closing two fingers of their hand and stretching out the other three, repeating their grotesque gestures with automatic accuracy, and singing extravagant songs full of dissonances. His Majesty never changed countenance.

The sistra were, of course, to beat or rattle in time with the song; the sceptres or wands were perhaps the same as the engraved wands of ivory common in the XIIth Dynasty, or of blue glazed ware in XVIIIth, and would be used to wave or beat time with; but the use of the collar and counterpoise, or menat, is unexplained, though figures of dancers are shown holding a collar and menat, and such objects were found buried in the ceremonial foundation deposit of Tahutmes III. at Koptos.

For in the silence I heard the sound of the shaken sistra heralding the coming of the Glory. Then, at the far end of the chamber, grew the semblance of the horned moon, gleaming faintly in the darkness, and betwixt the golden horns rested a small dark cloud, in and out of which the fiery serpent climbed. My knees waxed loose in the presence of the Glory, and I sank down before it.

He was saved by the intercession of the American officer and she was set free upon explanations. But the romance ended abruptly when Sistra Lebideva threw the Russian lieutenant over and went to nurse on another front where later the Russians turned traitor.

As the last note of the sweet Voice died away, the fiery snake climbed into the heart of the cloud. Now the cloud rolled from the horns of light, and was gathered into the blackness. The vision of the crescent moon grew dim and vanished. Then, as the Goddess passed, once more came the faint and dreadful music of the shaken sistra, and all was still.

Here and there, in the tumult of conversations and cries, were mingled sounds of the Egyptian sistra, of the sambuké, or of Grecian flutes. Here and there the sick, the pious, or the afflicted were bearing offerings to the temples.

The feast passed by degrees into a drunken revel and a dissolute orgy. The Syrian damsels, who appeared at first in the bacchic dance, mingled now with the guests. The music changed into a disordered and wild outburst of citharas, lutes, Armenian cymbals, Egyptian sistra, trumpets, and horns. As some of the guests wished to talk, they shouted at the musicians to disappear.