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Updated: June 5, 2025
According to Keating, they learnt the art of necromancy in the East, and taught it to the Danes. There is a modern German translation by Simrock. Angantyr. The poems of this cycle are four in number Hjalmar's Death-song: Angantyr and Hervör; Heidrek's Riddle-Poem: Angantyr the Younger and Hlod. All are given in the first volume of the Corpus, with translations.
This circumstance overlooked even by Simrock, who, like Jacob Grimm, has done much to show the German origin of the Norse Sigurd saga is another curious bit of evidence of the undeniable Teutonic source of the corresponding Scandinavian and Icelandic stories and poems. Many attempts have been made to get at the historical kernel of the tale.
Then they heard his voice: "Give me Glasgow... Glasgow, in Scotland.. I want the number of a man called White, of Simrock Park, Glasgow... Edward White, Simrock Park, Glasgow... ten minutes... at this time of night..." His voice was quite level, normal, and patient. Alcohol took him in the legs, not the speech. "I can wait," his voice came again. "Yes, I know they have a number.
One of these Schlegel has versified in the "Lay of the Sunken Castle," with the piteous tale of the spirits imprisoned; and Simrock tells us in rhyme of the merman who sits waiting for a mortal bride; while Wolfgang Müller sings of the "Castle under the Lake," where at night ghostly torches are lighted and ghostly revels are held, the story of which so fascinates the fisherman's boy who has heard of these doings from his grandmother that as he watches the enchanted waters one night his fancy plays him a cruel trick, and he plunges in to join the revellers and learn the truth.
He freed the land for many years from all robbers, guarded most carefully the church and clergy, and, to put it briefly, was looked upon as the defender and shield of everything blameless. He established also many good laws and ruled the kingdom for ten years with the greatest wisdom and justice. I cite this according to "Die Quellen des Shakespeare," by Karl Simrock, 2d edition, 1870.
Dasent, Burnt Njal; or Life in Iceland at the end of the tenth century. Mallet's Northern Antiquities. Thorpe, Northern Mythology. De la Saussaye, The Religion of the Teutons, 1902, the most comprehensive statement of the whole subject. Ralston, Songs of Russian People, and Russian Folk Tales. Simrock, Handb. der deutschen Mythologie. R. M. Meyer, Altgermanische Religionsgeschichte, 1910.
Ries had already achieved fame in Vienna as soloist, and had been before the public since childhood. He was Beethoven's teacher, as stated. We must not forget Neefe, Beethoven's former teacher, who was pianist, or Simrock, all of whom formed a galaxy of virtuosi and composers unequalled by any similar organization.
Doubts have been expressed by the German poet and mythologist, Karl Simrock, whether this was the primitive motive. He suggests that originally these spirits were looked upon as wholly beneficent, and even the theft of children was dictated by their care for the best interests of mankind.
One of these Schlegel has versified, the "Lay of the Sunken Castle," with the piteous tale of the spirits imprisoned; and Simrock tells us in rhyme of the merman who sits waiting for a mortal bride; while Wolfgang Müller sings of the "Castle under the Lake," where at night ghostly torches are lighted and ghostly revels held, the story of which so fascinates the fisherman's boy who has heard of these doings from his grandmother that as he watches the enchanted waters one night his fancy plays him a cruel trick, and he plunges in to join the revellers and learn the truth.
Be so good as to make out a list of the mistakes and send it at once to Simrock, and say that the work must appear as soon as possible. I must again ask you to undertake the disagreeable task of making a fair copy of the errors in the Zurich Sonata. I have got your list of errata "auf der Wieden."
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