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The next picture on Morelli's list is the "Fête Champêtre" of the Louvre, or, as it is often called, the "Concert." In this endeavour Crowe and Cavalcaselle led the way by suggesting the author was probably an imitator of Sebastiano del Piombo.

His remains lie buried in the Protestant burying-ground outside the walls of Rome, near the Porto di Sebastiano. His tomb is near that of Shelley and Keats, and the monument erected to his memory is very simple, his head being sculptured upon it in alto relievo, and on the opposite side an artist's palette and brushes.

The happiness of his life was forfeited, but no one should obtain the right to call him faithless to his word, or a scoundrel. In Florence he heard Sebastiano Filippi who had been a pupil of Michael Angelo-praised as a good drawer; so he sought him in Ferrara and found him ready to teach him what he still lacked. But the works of the new master did not please him.

From a notice posted against a door, which appeared to be the entrance to the ruins on my left, I found that these were the remains of Columbaria, where the dead used to be put away in pigeon-holes. Reaching the paved road again, I kept on my course, passing the tomb of the Scipios, and soon came to the gate of San Sebastiano, through which I entered the Campagna.

He had done what he could to comfort her and was going away. But she feebly begged him to stay a little longer. In an interval, while she had no pain, she spoke to her boys. "Ruggiero Sebastiano dear sons you could not save me, and I am going. God bless you. Our Lady help you remember you are Children of the King remember ah."

Duke Alessandro having then been done to death in the year 1536, and Signor Cosimo de' Medici elected in his place, many of the servants of the dead Duke remained in the service of the new, but others did not, and among those who went away was the above-named Giorgio Vasari, who returned to Arezzo, with the intention of having nothing more to do with Courts, having lost Cardinal Ippolito de' Medici, his first lord, and then Duke Alessandro; but he brought it about that Battista was invited to serve Duke Cosimo and to work in his guardaroba, where he painted in a large picture Pope Clement and Cardinal Ippolito, copying them from a work by Fra Sebastiano and from one by Tiziano, and Duke Alessandro from a picture by Pontormo.

There they rode upon the scene of an unwritten tragedy. In a big hog-wallow lay the skeletons of three Mexicans. Their clothing alone served to identify them. The largest of the figures had once been Sebastiano Saldar. His great, costly sombrero, heavy with gold ornamentation a hat famous all along the Rio Grande lay there pierced by three bullets.

As if it were a part of his personality, on a table facing him, covered with maps and papers, sits the mighty admiral's cat, which, with true feline im-passiveness, ignores the spectator and gives its sole regard to the admiral. There are possibly better portraits in the world than this, which was once by Sebastiano del Piombo and is now by Titian; but I remember none which has moved me more.

Fra Sebastiano had a passing good house which he had built for himself near the Popolo, and there he lived in the greatest contentment, without troubling to paint or work any more.

Duke Alessandro presented the officers of Catherine's household to the Pope, with whom he had a secret conference, in which, it would appear, he presented to his Holiness Count Sebastiano Montecuculi, who had just left, somewhat abruptly, the service of Charles V. and that of his two generals, Antonio di Leyva and Ferdinando di Gonzago.