Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 13, 2025
About his life, however, we know, as in other cases, next to nothing. He was an Athenian and must have been somewhere near the age of Scopas, though seemingly rather younger. Only one anecdote is told of him which is worth repeating here. When asked what ones among his marble statues he rated highest he answered that those which Nicias had tinted were the best.
Under his successor, Judea was again invaded by Antiochus, and again was Jerusalem wrested from his grasp by Scopas, the Egyptian general. Defeated, however, near the source of the Jordan, the country fell into the hands of Antiochus, who was regarded as a deliverer.
The tower of David merges into obscurity; no longer glitter the minarets of the mosque of Omar; Bethesda's angelic waters, the gate of Stephen, the street of sacred sorrow, the hill of Salem, and the heights of Scopas can no longer be discerned. Alone in the increasing darkness, while the very line of the walls gradually eludes the eye, the church of the Holy Sepulcher is a beacon-light.
The predominant expression is one of gentleness and benevolence, but the lofty brow, transversely furrowed, tells of thought and will, and the leonine hair of strength. With Lysippus of Sicyon we reach the last name of first-rate importance in the history of Greek sculpture. Thus he belongs essentially to the generation succeeding that of Scopas and Praxiteles.
We have only paintings on vases, or work on gems, which, though graceful, is conventional and might represent any other heroine, Polyxena, or Eriphyle. No Helen from the hands of Phidias or Scopas has survived to our time, and the grass may be growing in Therapnae over the shattered remains of her only statue.
The works of his hands were widely distributed in Greece proper and on the coast of Asia Minor. Until lately nothing very definite was known of the style of Scopas. While numerous statues by him, all representing divinities or other imaginary beings, are mentioned in our literary sources, only one of these is described in such a way as to give any notion of its artistic character.
The first great artist of this school was Scopas, born at Paros, and who flourished in the first half of the fourth century B.C. Although famous in architectural sculpture, he excelled in single figures and groups, "combining strength of expression with grace."
For even as the traveller new to Borneo, when they offer him a durian-fruit, is instantly brought to vomiting-point by its odour, but after a few mouthfuls declares it to be the very apple of Paradise, and marvels how he could have survived so long in the benighted lands where such ambrosial fare is not; even as the true connaisseur who, beholding some rare scarlet idol from the Tingo-Tango forests, at first casts it aside and then, light dawning as he ponders over those monstrous complexities, begins to realize that they, and they alone, contain the quintessential formulae of all the fervent dreamings of Scopas and Michelangelo; even as he who first, upon a peak in Darien, gazed awestruck upon the grand Pacific slumbering at his feet, till presently his senses reeled at the blissful prospect of fresh regions unrolling themselves, boundless, past the fulfilment of his fondest hopes
And I propose to transfer the question which you and I have been discussing to the domain of poetry; we will speak as before of virtue, but in reference to a passage of a poet. Now Simonides says to Scopas the son of Creon the Thessalian: 'Hardly on the one hand can a man become truly good, built four-square in hands and feet and mind, a work without a flaw.
We know with absolute certainty that it contained at least one hundred and twenty columns of the rarest kinds of marbles and breccias, fifty-two of which were of Numidian marble, with capitals of gilt bronze; a group of Lysias, comprising one chariot, four horses and two drivers, all cut in a single block of marble; the Hercules of Lysippus; the Apollo of Scopas; the Latona of Cephisodotos, the Diana of Timotheos; the bas-reliefs of the pediment by Bupalos and Anthermos; the quadriga of the sun in gilt bronze; exquisite ivory carvings; a bronze colossus fifty feet high; hundreds of medallions in gold, silver, and bronze; gold and silver plate; a collection of gems and cameos; and, lastly, candelabras which had been the property of Alexander the Great, and the admiration of the East.
Word Of The Day
Others Looking