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Updated: June 3, 2025
"We are waiting for you." "For madame's sake," pleaded Hans, "be quick. She is motioning to you to join the racers. There, the skate is almost on. Quick, mynheer, fasten it. I could not possibly win. The race lies between Master Schummel and yourself." "You are a noble fellow, Hans!" cried Peter, yielding at last. He sprang to his post just as the white handkerchief fell to the ground.
[Footnote 9: Schummel states this himself, III, p.
To be sure, Jacob Poot had become rather short of breath during the last mile of two, and perhaps he felt ready for another nap, but there was enough jollity in him yet for a dozen. Even Carl Schummel, who had become very intimate with Ludwig during the excursion, forgot to be ill-natured.
He often thinks of the Katrinka of his boyhood, but he is glad now that Katrinka, the woman, sent him away, though it seemed at the time his darkest hour. Ben's sister Jenny has made him very happy, happier than he could have been with anyone else in the wide world. Carl Schummel has had a hard life.
Hans's countenance brightened at once. "Ah, mynheer, is that you? It is well we meet!" "Just like his impertinence," hissed Carl Schummel, darting scornfully past his companions, who seemed inclined to linger with their captain. "I am glad to see you, Hans," responded Peter cheerfully, "but you look troubled. Can I serve you?" "I have a trouble, mynheer," answered Hans, casting down his eyes.
Other motifs derived from Sterne, less integral, may be briefly summarized. From the Sentimental Journey is taken the motif that valuable or interesting papers be used to wrap ordinary articles of trade: here herring are wrapped in fragments of the father’s philosophy; in the Sentimental Journey we find a similar degrading use for the “Fragment.” Schummel breaks off the chapter “La Naïve,” under the Sternesque subterfuge of having to deliver manuscript to an insistent publisher. Yorick writes his preface to the Journey in the “Désobligeant,” that is, in the midst of the narrative itself. Schummel modifies the eccentricity merely by placing his foreword at the end of the volume. The value of it, he says, will repay the reader for waiting so long, a
In the outward events of his story, in the general trend of its argument, Schummel does not depend upon either Shandy or the Journey: the hero’s circumstances are in general not traceable to the English model, but, spasmodically, the manner of narration and the nature of the incidents are quite slavishly copied. A
"For madame's sake," pleaded Hans, "be quick! She is motioning to you to join the racers. There, the skate is almost on: quick, mynheer, fasten it. I could not possibly win. The race lies between Master Schummel and yourself." "You are a noble fellow, Hans!" cried Peter, yielding at last. He sprang to his post just as the white handkerchief fell to the ground.
Possibly encouraged by the critic’s approbation, Schummel devoted his literary effort for the following years largely to the drama.
Among the works of sentiment which were acknowledged imitations of Yorick, along with Jacobi’s “Winterreise,” probably the most typical and best known was the “Empfindsame Reisen durch Deutschland” by Johann Gottlieb Schummel. Its importance as a document in the history of sentimentalism is rather as an example of tendency than as a force contributing materially to the spread of the movement.
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