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Some hold that it is expedient also to furnish women for those who pasture the flocks in the Saltus and the forests and have no residence but find their shelter from the rain under improvised sheds: that such women following the flocks and preparing the food for the shepherds keep the men better satisfied and more devoted to their duty.
No such pictures of monstrous, diverting, sensuous existence can be found elsewhere save in the paintings of Arnold Böcklin, Franz von Stuck, and above all those of Gustave Moreau. If he had done nothing else Edgar Saltus should be famous for having given New York a mythology of its own! January 12, 1918. The New Art of the Singer
You may also find there in a series of volumes entitled "Nations of the World" his supplementary chapters bringing the books up to date. That is all. All these years, of course, Saltus has had his admiring circle, people of intelligence, of whom, unfortunately, I cannot say that I was one.
Around the corner in Twenty-third Street, on the top floor of another publishing house is the den of the energetic author, editor, and critic, Jeannette L. Gilder. Across Madison Square, at the Twenty-fifth Street corner, Edgar Saltus had apartments for some time, and just off Broadway in Twenty-seventh Street, at No. 26, Edgar Fawcett wrote A Mild Barbarian.
Edgar Evertson Saltus was born in New York City June 8, 1858. He is a lineal descendant of Admiral Kornelis Evertson, the commander of the Dutch fleet, who captured New York from the English, August 9, 1673. Francis Saltus, the poet, was his brother. He enjoyed a cosmopolitan education which may be regarded as an important factor in the development of his tastes and ideas. From St.
There is a duchess who mews like a cat and somewhere we are assured that Perche non posso odiarte from La Sonnnambula is the most beautiful aria in the Italian repertory. Here is a true and soul-revealing epigram: "The best way to master a subject of which you are ignorant is to write it up." Certainly not Saltus at his best, this opus, but far from his worst.
It will be remembered that Tancred Ennever was at work on "Historia Amoris" in 1895, which would seem to indicate that Saltus had begun to collect material for it himself at that time. The title is a literal description of the contents of the book: it is a history of love.
These four propositions, "In mundo non datur hiatus, non datur saltus, non datur casus, non datur fatum," as well as all principles of transcendental origin, we could very easily exhibit in their proper order, that is, in conformity with the order of the categories, and assign to each its proper place.
Verplank pursues. There are two fabulous duels and a scene in which our hero is mangled by dogs. It is all mad, full of purple patches and crimson splotches and yet, once opened, it is impossible to lay the book down until it is completed. From this novel Mr. Saltus fashioned his only play, The Gates of Life, which he sent to Charles Frohman and which Mr. Frohman returned.
I do not even remember to have seen him mentioned in the works of James Huneker and you will not find his name in Barrett Wendell's "A History of American Literature" , "A Reader's History of American Literature" by Thomas Wentworth Higginson and Henry Walcott Boynton , Katherine Lee Bates's "American Literature" , "A Manual of American Literature," edited by Theodore Stanton , William B. Cairns's "A History of American Literature" , William Edward Simonds's "A Student's History of American Literature" , Fred Lewis Pattee's "A History of American Literature Since 1870" , John Macy's "The Spirit of American Literature" , or William Lyon Phelps's "The Advance of the English Novel" . The third volume of "The Cambridge History of American Literature," bringing the subject up to 1900, has not yet appeared but I should be amazed to discover that the editors had decided to include Saltus therein.
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