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Such, at all events, was Mr Ritson's opinion, as he sauntered listlessly fore and aft, between the taffrail and the main-mast, glancing now aloft at the all but idle canvas, then into the binnacle, then over the side at the tiny bubbles creeping lazily past the ship's side, and finally forward, to where the man on the lookout could be seen seated upon the rail, facing ahead, with his arms folded and his back leaning against the great wooden stock of one of the anchors, his form showing black as that of an ebony statue against the brilliant silvery sheen of the moonlight on the water.

In the original Every island's but a prison. The song is by a Mr. Coffey, and is given in Ritson's English Songs , ii. 122. It begins: 'Welcome, welcome, brother debtor, To this poor but merry place, Where no bailiff, dun, nor setter, Dares to show his frightful face. See ante, iii. 269. He wrote to Mrs. Do you remember the song

Ritson's own work was often very good; spoilt here and there for some tastes by the "cataloguing" method, a somewhat materialistic way of taking an inventory of the holy country things; but, for that very reason, contrasting to a great advantage with Lucian's hints and dreams and note of haunting. And here and there Mr.

On the other hand, Percy believed that there were certain true things which should not be opened out in the broad light of day; it was this deep-seated conviction which kept him from publishing the manuscript folio, a priceless treasure, which Ritson never saw and which, had it fallen in Ritson's way instead of Percy's, would have been clapped at once into the hands of the printer.

Even Ritson's waspish character seems to have been softened by Scott's courtesy, and perhaps even more by the joint facts that he had as yet attained no literary reputation, and neither at this nor at any other time gave himself literary airs. He also made the acquaintance of George Ellis, who became a warm and intimate friend.

This is plausible; and if good may come out of evil, we may remember that two picturesque parts of "Marmion" are due to one confessed and another certain supercherie of Surtees. It cannot be said in his defence that he had no conception of the mischief of literary frauds; in more than one passage of his correspondence he mentions Ritson's detestation of these practices.

He read through the review from the beginning; it was a very favorable one, and pronounced the volume an immense advance on Mr. Ritson's previous work. "Here, undoubtedly, the author has discovered a vein of pure metal," the reviewer added, "and we predict that he will go far." Lucian had not yet reached his father's stage, he was unable to grin in the manner of that irreverent parson.

*Ritson's Ancient Songs. Stories of Robin Hood, by H. E. Marshall. Stories of the Ballads, by Mary Macgregor. DURING the long years after the Norman Conquest when English was a despised language, it became broken up into many dialects.

There is, to me, a great deal of tenderness in it. I would be obliged to you if you would procure me a sight of Ritson's Collection of English Songs, which you mention in your letter. I will thank you for another information, and that as speedily as you please whether this miserable drawling hotch-potch epistle has not completely tired you of my correspondence. November 1794.

To make you some amends, as soon as I have extracted the necessary information out of them, I will return you Ritson's volumes. The lady is not a little proud that she is to make so distinguished a figure in your collection, and I am not a little proud that I have it in my power to please her so much.

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