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Updated: May 16, 2025
PROTAGORAS; GORGIAS; PRODICUS. They were very numerous, the taste for their art, which might be called philosophical criticism, being widespread in Attica. It may be believed, as Plato maintains, that some were of very mediocre capacity, and this is natural; but there were also some who clearly were eminent authorities. The most illustrious were Protagoras, Gorgias, and Prodicus of Ceos.
I said: I also incline to believe, Protagoras, that this was the meaning of Simonides, of which our friend Prodicus was very well aware, but he thought that he would make fun, and try if you could maintain your thesis; for that Simonides could never have meant the other is clearly proved by the context, in which he says that God only has this gift.
The refutation seems tolerably complete, but a good deal had to happen before Greece was ready to accept or Plato to offer such a refutation. Nothing knowable The solitude of scepticism The lawlessness of scepticism The good in scepticism Gorgias was perhaps even more eminent a Sophist than Protagoras.
He was one of the most accomplished men of antiquity, or of any age, an enlightened and curious traveller, a profound thinker; a man of universal knowledge, familiar with the whole range of literature, art, and science in his day; acquainted with all the great men of Greece and at the courts of Asiatic princes; the friend of Sophocles, of Pericles, of Thucydides, of Aspasia, of Socrates, of Damon, of Zeno, of Phidias, of Protagoras, of Euripides, of Polygnotus, of Anaxagoras, of Xenophon, of Alcibiades, of Lysias, of Aristophanes, the most brilliant constellation of men of genius who were ever found together within the walls of a Grecian city, respected and admired by these great lights, all of whom were inferior to him in knowledge.
Then, I said, you do indeed possess a noble art, if there is no mistake about this; for I will freely confess to you, Protagoras, that I have a doubt whether this art is capable of being taught, and yet I know not how to disbelieve your assertion. And I ought to tell you why I am of opinion that this art cannot be taught or communicated by man to man.
Protagoras began by asserting, and Socrates by denying, the teachableness of virtue, and now the latter ends by affirming that virtue is knowledge, which is the most teachable of all things, while Protagoras has been striving to show that virtue is not knowledge, and this is almost equivalent to saying that virtue cannot be taught.
And yet, Socrates, said Protagoras, that to which the coward goes is the opposite of that to which the courageous goes; the one, for example, is ready to go to battle, and the other is not ready. And is going to battle honourable or disgraceful? I said. Honourable, he replied. And if honourable, then already admitted by us to be good; for all honourable actions we have admitted to be good.
Although once or twice ruffled, and reluctant to continue the discussion, he parts company on perfectly good terms, and appears to be, as he says of himself, the 'least jealous of mankind. Nor is there anything in the sentiments of Protagoras which impairs this pleasing impression of the grave and weighty old man. His real defect is that he is inferior to Socrates in dialectics.
At present we must abide by the compact which was made between Socrates and Protagoras, to the effect that as long as Protagoras is willing to ask, Socrates should answer; or that if he would rather answer, then that Socrates should ask.
Not having the whole of this poem before us, it is impossible for us to answer certainly the question of Protagoras, how the two passages of Simonides are to be reconciled. We can only follow the indications given by Plato himself.
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