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Updated: June 28, 2025
Would a sense of his own former neglect of duty be likely to embitter him against his brother or make him excuse him? Does he show signs of either? Prospero's magic, his garment, books, staff. How far is his magic in accord with the popular notions of such art? Show Ariel's qualities. What caused his first impatience? Is Prospero unnecessarily harsh and imperious with him?
Those were the nights when Rosalind and Orlando wandered out of Arden into a New England moonlight; when flitting Ariel forsook Prospero's isle to make his nest in Wellesley's bowering rhododendrons in blossom time he is always hovering there, a winged bloom, for eyes that are not holden.
The "Autocrat" knows what pond-lilies are, having visited Prospero's Isle and seen the pink-tinged sisterhood of a certain mere that lies embosomed in its hills.
As though you could shut in a child's mind, traveling in its vagrant fancies like Prospero's Ariel round about the earth in twenty minutes!
Then he hurried off, and sent up a message to Miss Franceska Vanderkist, to come and speak to him, and he walked up and down the sitting-room where breakfast was being spread, like a panther, humming Prospero's songs, or murmuring vituperations, till Franceska appeared, a perfect picture of loveliness in her morning youthful freshness. "Francie, there's no help for it. You must take Mona!
Prospero's pardon for those who had conspired against him proceeds from 'our little life is rounded with a sleep. The Tempest is called a comedy, but it suggests a tragedy in Prospero's return to Milan and the months or years he spent there till he died.
Give examples of the construction of the lines from "Love's Labour's Lost" as an earlier play, "Merchant of Venice" as a riper play. It has been said that the difficulties of style in the play are accounted for by the endeavor of the author to reflect the changing moods of Leontes. Compare with Prospero's diction and construction in "The Tempest." Give examples of these.
Caliban has become a by-word as the strange creation of a poetical imagination. A mixture of gnome and savage, half daemon, half brute, in his behaviour we perceive at once the traces of his native disposition, and the influence of Prospero's education.
Show how this effect is enhanced by the plan to awaken dismay and remorse in the minds of the evil-doers and how the climax in Prospero's triumph is reached by the victory wrought in his own mind when he determines to take part with his 'nobler reason 'gainst his fury' in order to restore his enemies to themselves.
But Prospero drew back a curtain and showed them Ferdinand and Miranda playing at chess. Great was Alonso's joy to greet his loved son again, and when he heard that the fair maid with whom Ferdinand was playing was Prospero's daughter, and that the young folks had plighted their troth, he said "Give me your hands, let grief and sorrow still embrace his heart that doth not wish you joy."
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