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Updated: May 29, 2025


I propose, after reviewing the classical conception of poetry as an educational agent, to trace briefly the rise of allegorical interpretation of poetry in post-classical times and in the middle ages; to exemplify the tendency of renaissance criticism to borrow the terminology of classical rhetoric when it asserted that the purpose of poetry is moral improvement; and finally, to study in the literary criticism of the English renaissance those moral theories of poetry which derive from the middle ages, from the classical rhetorics, and from the criticism of the Italian renaissance.

Side by side with the historical account of this poet is a mythical one which, even within the early post-classical period, began to gain credence. The reasons of it are to be sought not so much in his poetical genius as in the almost ascetic purity of his life, which surrounded him with a halo of mysterious sanctity.

To this more limited form of the question I feel no difficulty in replying, that I am fully and firmly persuaded that it would not have materially affected the revision; and my grounds for returning this answer depend on these two considerations: first, that the full knowledge which some of us had of Winer's Grammar, and the general knowledge that was possessed of it by the majority, certainly enabled us to realize that the Greek on which we were engaged, while retaining very many elements of what was classical, had in it also not only many signs of post-classical Greek, but even of usages which we now know belong to later developments.

Here rhetoric vindicated its practicality by a preoccupation with the impractical; and here, as in analysis, rhetoric bore the seeds of its own decay. Although Aristotle devoted relatively little space to the rhetorical figures, later treatises emphasized them more and more until in post-classical and in mediaeval rhetoric little else is discussed. The figures of course had to be classified.

In fact "Nature" and "Grace," as handled by the scholastics, are nothing more nor less than two hostile Divinities in the Pantheon of post-classical polytheism. What is the secret of the profound interest which "Darwinism" has excited in the minds and hearts of more persons than dare to confess their doubts and hopes? It is because it restores "Nature" to its place as a true divine manifestation.

In this poem is to be found the first recognizable description of members of the salmon family, and, though the manner of their application is rather doubtful, the names salmo, salar and fario strike a responsive note in the breast of the modern angler. Post-classical Literature. As to what happened in the world of angling in the first few centuries of the Christian era we know little.

We must not think of allegory as a late post-classical phenomenon in Greece. It begins at least as early as Pythagoras and Heraclitus, perhaps as early as Hesiod; for Hesiod seems sometimes to be turning allegory back into myth. The Olympians, cut loose from the soil, enthroned only in men's free imagination, have two special regions which they have made their own: mythology and allegory.

In general, the degeneracy of post-classical Greek architecture is in nothing more marked than in the loss of those subtle curves which characterize the best Greek work. Other differences must be learned from more extended treatises. The Ionic order was of a much more luxuriant character than the Doric.

It is, or rather it would be, quite absurd to say, in the case of literature, or art, for instance, that the two orders are identical. There it is obvious and universally admitted that one period may reach a higher level than another which in point of time is later. The classical period is followed by a post-classical period; culmination is followed by decline.

The Germanic tribes destroyed the civilisations with which they met; they adopted many of the institutions of Christian antiquity, but found them an impediment to the development of their own genius. The Arabs simply continued to develop the civilisation of post-classical antiquity, with which they had come in contact.

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