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Updated: May 24, 2025
This furnished her with a clew to the character, and led her to present it upon the stage as the weird and startling figure which afterward became so famous. Of course, the first performance was but a sketch of her later portrayals of Meg Merrilies, yet she made a profound impression.
But now he could no longer save himself from that gloom, and the thought grew darker and drearier before him the one fact of his present situation. Alone on a desert island! A very interesting thing to read about, no doubt; and Tom, like all boys, had revelled in the portrayals of such a situation which he had encountered in his reading.
In spite of the softness of the texture, and the art of a kind! which had been displayed in the workmanship, I rapidly arrived at the conclusion that it was the most uncomfortable carpet I had ever seen. I wagged my finger at the repeated portrayals of the to me! unspeakable insect.
His present-day problem was the life-story of the ancient Nestor who preferred solitude to the mob; who would leave nature's treasures to remain hidden and unclaimed, awaiting the investigations and industry of the generations to follow. Davy gazed in awe at the old man, who in general appearance resembled the accepted portrayals of Santa Claus, but whose face was now seamed with lines of pain.
About this idea of country held by the truly patriotic mind, as we find it expressed in history and in literature, there grows up a religious sentiment, which protects from criticism the qualities of the ideal personage. A certain pathos of country attaches itself to all who as great individuals represent country, and to all its portrayals and symbols.
There is a scene in King Lear, where the horror of the storm is made to brood over at least four miseries, that of the king, of the fool, of Edgar in his real person, and of Edgar in his assumed character. The vividness of each of these portrayals, with its different note of pathos, keeps the mind detached and free, forces it to compare and reflect, and thereby to universalize the spectacle.
But if we take literature in its larger sense, as including all the manifestations of creative activity in language, and if we insist, furthermore, that the man singled out for this preeminence shall stand in some vital relation to the intellectual life of his time, and exert a forceful influence upon the thought of the present day, the choice must rather be made among the three giants of the north of Europe, falling, as it may be, upon the great-hearted Russian emotionalist who has given us such deeply moving portrayals of the life of the modern world; or upon the passionate Norwegian idealist whose finger has so unerringly pointed out the diseased spots in the social organism, earning by his moral surgery the name of pessimist, despite his declared faith in the redemption of mankind through truth and freedom and love; or, perchance, upon that other great Norwegian, equally fervent in his devotion to the same ideals, and far more sympathetic in his manner of inculcating them upon his readers, who has just rounded out his scriptural tale of three score years and ten, and, in commemoration of the anniversary, is now made the recipient of such a tribute of grateful and whole-souled admiration as few men have ever won, and none have better deserved.
But for Redon there was but one world, and that a world of imperceptible light on all things visible, with always a kind of song of adoration upon his lips, as it were, obsessed with reverence and child wonder toward every least and greatest thing, and it was in these portrayals of least things that he exposed their naked loveliness as among the greatest.
The State, an account of the mechanism of government in ancient and modern times, and some of his portrayals of American history were hardly less in demand. His election as Governor of New Jersey in 1910 and his election to the presidency two years later have already been mentioned. The outstanding characteristic of Wilson is a finely-organized, penetrating intelligence.
No stronger evidence is needed than some of these half savage portrayals of life in the Sixteenth Century to declare the classic method an exotic in Flanders. But with the passing of the old Gothic method, there was little need for other cartoonists than the Italian, so infinitely able and prolific were they.
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