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Updated: May 31, 2025


It will be easier to win his favor for the painter who did this portrait than for a man of noble birth. He needs such painters as this Alexander for the Pinakothek in the splendid baths he has built at Rome. If you would but lend me this treasure to-morrow " But she interrupted him with a decisive "Never!" and laid her hand on the frame as if to protect it.

Only yesterday I still believed that the art of Apelles was utterly degenerate. But since then I have changed my opinion, for I have seen a portrait which would be an ornament to the Pinakothek in your baths.

The translucence of this sea in which the boys plash and plunge is another witness to the verisimilitude of Sorolla's vision. Boecklin's large canvas at the new Pinakothek, Munich, is often cited as a tour de force of water painting. We allude to the mermaids and mermen playing in the trough of a greenish sea.

A few squares distant is the Pinakothek, with its treasures of old pictures, and beyond it the New Pinakothek, containing works of modern artists. Its exterior is decorated with frescoes, from designs by Kaulbach: these certainly appear best in a sparkling light; though I am bound to say that no light can make very much of them. Yet Munich is not all imitation.

Here lies a historic tragedy which remains to be painted; one of the most dramatic pictorial scenes in Europe, the death of Wallenstein in Schiller's drama, painted by Professor Piloty and now in the new Pinakothek, Munich, might in the death of the great Nicholas find a parallel. The emperor lies buried with all the sovereigns of Russia since the foundation of St.

They were secured by the late and lamented Von Tschudi, who left the National Gallery after their purchase and retired to Munich, where he bought a great example of El Greco for the old Pinakothek, the Laocoon, a service, I fancy, not quite appreciated by the burghers of Munich.

From the windows below, on either side, a face looked out upon the flying streets a fairy with gentle eyes and a crone with toothless smile. "The Pinakothek!" grumbled the old woman. "Does he think any one at the Pinakothek knows more of Albrecht Dürer than Henriette von Herkomer?" She sniffed a little and drew her folds about her.

The blunt, strong features are strikingly like those of the authenticated portraits of the artist, but Dr. Karl Voll, Director of the Alt Pinakothek at Munich, declares that the idea of a "self-portrait," attractive as it is, can hardly in this case be upheld. Whoever the sitter may have been, the painting is an amazing example of dexterity of hand and acute observation.

Past the Old Pinakothek rolled the flying carriage on past the New Pinakothek. An old face peered out upon the marble walls, wistful and suspicious. A mass of buildings loomed in view. "The university," she muttered under her breath. "Some upstart Herr Professor to tell me of Albrecht Dürer! Fool fool!" She croaked softly in her throat.

But there is something singularly exasperating in German painting, whether old or new, that sets us to wondering whether such museums as the National Gallery, Berlin; the new Pinakothek, Munich, and other repositories of ugly colour and absurd mythologies do not cause a deterioration in public taste.

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