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At this same time there was a painter in the city of Foligno, Niccolò Alunno, who was held to be excellent, for it was little the custom before Pietro Perugino's day to paint in oil, and many were held to be able men who did not afterwards justify this opinion. Niccolò therefore gave no little satisfaction with his works, since, although he only painted in distemper, he portrayed the heads of his figures from life, so that they appeared alive, and his manner won considerable praise. In S. Agostino at Foligno there is a panel by his hand with a Nativity of Christ, and a predella with little figures. At Assisi he painted a banner that is borne in processions, besides the panel of the high-altar in the Duomo, and another panel in S. Francesco. But the best painting that Niccolò ever did was in a chapel in the Duomo, where, among other things, there is a Piet
We English are fortunate in possessing one of Perugino's sincerest devotional oil pictures . His frescoes of "S. Sebastian" at Panicale, and of the "Crucifixion" at Florence, are tolerably well known through reproductions ; while the "Vision of S. Bernard" at Munich and the "Piet
Julius was so much enchanted with his paintings in the halls of the Vatican, that he ordered the frescos of former artists to be destroyed. Among them were some of Perugino's, but Raphael would not suffer these to be removed for his own; he viewed them as the relics of a beloved and honored friend, and they were consecrated by tender and grateful feelings.
Peter is gradually going to sleep and collapsing in a fashion which is truly ignoble. And the same applies to sculptured figures or to figures standing isolated like statues; no Greek would have ventured upon the swaggering position, with legs apart and elbows out, of Donatello's St. George, or Perugino's St.
There, too, is that loveliest of all Perugino's Madonnas, with the warrior Archangels at her side, and the perfect landscape beyond, which the Umbrian master painted in the last years of the century, by the Moro's express command, for his favourite sanctuary.
Such were the moments when a man might be pardoned if he called Rose's beauty angelic angelic of the type of Perugino's pictured angels, a figure just treading on the earth enough to keep up appearances, but whose very skirts float buoyantly in the fresh atmosphere of eternity.
Philip did not answer. Mr. Perkins, holding himself oddly as he always did, like a figure in one of Perugino's pictures, drew his fingers thoughtfully through his beard. He looked at Philip as though he were trying to understand and then abruptly told him he might go.
The damps were expelled by fires on grateless hearthstones; sunshine admitted from windows now for the first time exchanging boards for glass; rough iron sconces, made at the nearest forge, were thrust into the walls, and sometimes lighted at night-Darrell and Fairthorn walking arm-in-arm along the unpolished floors, in company with Holbein's Nobles, Perugino's Virgins.
The frescoes of Giotto and his school enrich every spandril and interspace with their simple, serious forms no other such place to study the art of that early day but a Virgin enthroned among saints by Lo Spagna, a disciple of Perugino's, made a pure light in the obscurity: it had all the master's golden transparency, like clear shining after the rain.
He had begun by imitating the mystic sweetness of Perugino's types, drawn by an intuitive delicacy of perception to this spiritual idealism, while yet too inexperienced to express any originality. Then, by an inevitable reaction, he threw himself into the creation of a purely naturalistic Madonna, and carried the Mater Amabilis to its utmost perfection.
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