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He was a native of Ephesus, studied under Pamphilus of Amphipolis, and when he had gained reputation he went to Sicyon and took lessons from Melanthius. He spent the best part of his life at the court of Philip and Alexander, and painted many portraits of these great men and of their generals. He invented ivory black.
He might have been a pupil of Xenocrates. O ye immortal Gods, what a teacher was he! And there are those who believe that he actually was his pupil; but he says otherwise, and I shall give more credit to his word than to another's. He confesses that he was a pupil of a certain disciple of Plato, one Pamphilus, at Samos; for he lived there when he was young, with his father and his brothers.
The most famous of all was Apelles. He was a Greek of Asia Minor and received his early training at Ephesus. He then betook himself to Sicyon, in order to profit by the instruction of Pamphilus and by association with the other painters gathered there. It seems likely that his next move was to Pella, the capital of Macedon, then ruled over by Philip, the father of Alexander.
We find, from Plutarch, that when Aratus was exerting himself to gain for the Achæan league the powerful alliance of Ptolemy Euergetes, he found no means so effectual in conciliating the good-will of the monarch, as the procuring for him some of the master-pieces of Pamphilus and Melanthius, the most renowned of the famous school of Sicyon; and the knowledge of the high estimation in which the arts were held, under the Egyptian kings, gives an additional value to the accounts given by Tatius of these treasures of a past age, his notices of which are the latest, in point of time, which have come down to us from an eyewitness.
Standing in the position it does, the phrase can hardly mean anything else. Besides it is not likely that Eusebius, an eager collector and reader of books, with the run of Pamphilus' library, should not have been acquainted with a work that he says himself was current in more quarters than one. Eusebius, it will be observed, is quite explicit in his statement.
The figures of three or four true book-lovers stand out amid the crowd of dilettanti. St. Pamphilus was a student at the legal University of Beyrout before he was received into the Church: he devoted himself afterwards to the school of sacred learning which he established at Cæsarea in Palestine. Here he gathered together about 30,000 volumes, almost all consisting of the works of the Fathers.
His best known pieces were, Ulysses in his ship, and the victory of the Athenians near the town of Phlius. It was through Pamphilus that, at first in Sicyon, and afterwards throughout all Greece, drawing was taught to boys as part of a liberal education.
Peter, as we have already seen, figures, under the name of Pamphilus, in the eclogues of Petrarch, and his introduction by Milton is in nicest keeping with the spirit of the kind.
His Talissus took him seven years to complete. Pamphilus was celebrated for composition, Antiphilus for facility, Theon of Samos for prolific fancy, Apelles for grace, Pausias for his chiaro-oscuro, Nicomachus for his bold and rapid pencil, Aristides for depth of expression.
He declared that he had never seen anything to compare with the library of Pamphilus; and when he was given twenty-five volumes of Origen in the martyr's delicate writing, he vowed that he felt richer than if he had found the wealth of Croesus. The Emperor Julian was a pupil of Eusebius, and became reader for a time in the Church at Cæsarea.
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