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Updated: June 3, 2025
He selected this city in preference to all others, as being most favourable for obtaining an usurious interest of his money; and having assumed the name of Roderigo, a native of Castile, he took a house in the suburbs of Ognissanti.
He had saved no money and all his friends were dead Piero de' Medici, Lorenzo, Giuliano, Lucrezia, Simonetta, Filippino Lippi, and Savonarola. He hobbled about on crutches for a while, a pensioner of the Medici family, and dying at the age of seventy-eight was buried in Ognissanti, but without a tombstone for fear of desecration by the enemies of Savonarola's adherents.
By 1250 we read that the Guild Masters were already grumbling at their distance from the city, so that they removed to S. Lucia sul Prato, under promise of exemption from all taxes; and in 1256 they founded a church and convent in Borgo Ognissanti.
The days passed in feasting and splendour, Charles began to talk of restoring the Medici, nor were riots infrequent in Borgo Ognissanti; in Borgo S. Frediano the Switzers and French pillaged and massacred, and were slain too in return. Florence, always ready for street fighting, was, as we may think, too much for the barbarians.
The visit to Rome was in 1481, and meantime Botticelli had produced the wayward Primavera, and the more stern and harsh S. Augustine in the church of Ognissanti.
Saying nothing of the learned, for with them I have nothing to do here, and continuing to speak of the men of our arts, who have always had an honourable abode in that most noble city, I come to Liberale of Verona, a disciple of Vincenzio di Stefano, a native of the same city, already mentioned in another place, who executed for the Church of Ognissanti, belonging to the Monks of S. Benedict, at Mantua, in the year 1463, a Madonna that was a very praiseworthy example of the work of those times.
On the way to the church of Ognissanti the Palazzo Arneri is passed; it has a fine knocker in the manner of John of Bologna Neptune standing and controlling two lions, a design of which there are examples in Padua and elsewhere. The church of All Saints was built in 1303.
But of one of the pupils of Luca, Agostino di Duccio, 1418-81(?), something more remains than these fragile and yet hardy works in terra-cotta. He has carved in marble with something of Luca's gentleness at Perugia and Rimini. He left Florence, it is said, in 1446, after an accusation of theft, returning there to carve the lovely tabernacle of the Ognissanti. It is said that he had tried unsuccessfully to deal with that block of marble which stood in the Loggia dei Lanzi, and from which Michelangelo unfolded the David. Two panels attributed to him remain in the Bargello, a Crucifixion and a Piet
Francesco was on patrol that night; but my English accent soon assured him that I was no contrabbandiere, and he too leaned against the stanchion and told me his short story. He was in his nineteenth year, and came from Florence, where his people live in the Borgo Ognissanti. He had all the brightness of the Tuscan folk, a sort of innocent malice mixed with espieglerie.
Likewise disciples of Pietro, and also natives of Perugia, were Eusebio San Giorgio, who painted the panel of the Magi in S. Agostino; Domenico di Paris, who made many works in Perugia and in the neighbouring townships, being followed by his brother Orazio; and also Gian Niccola, who painted Christ in the Garden on a panel in S. Francesco, the panel of Ognissanti in the Chapel of the Baglioni in S. Domenico, and stories of S. John the Baptist in fresco in the Chapel of the Cambio.
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