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Just at this time Farfrae, who had been to Henchard's house to look for him, came out of the back gate, and saw something white fluttering in the morning gloom, which he soon perceived to be part of Abel's shirt that showed below his waistcoat. "For maircy's sake, what object's this?" said Farfrae, following Abel into the yard, Henchard being some way in the rear by this time. "Ye see, Mr.

In other words, sense ought to correspond in articulation with the object to be represented otherwise the object's structure, with the fate it imports; cannot be transferred into analogous ideas. Now the human senses are not at all fitted to represent an organism on the scale of the human body. They catch its idle gestures but not the inner processes which control its action.

It is altogether erroneous, therefore, to view an object's sensible qualities as abstractions from it, seeing they are its original and component elements; nor can the sensible qualities be viewed as generic notions arising by comparison of several concrete objects, seeing that these concretions would never have been made or thought to be permanent, did they not express observed variations and recurrences in the sensible qualities immediately perceived and already recognised in their recurrence.

In Him alone if we delight, And in His precepts pleasure take, We shall be sure to do aright 'Tis not His nature to forsake. A proper object's He alone, For man to set his heart upon. Domino mens nixa quieta est. The mind which upon God is stayed Shall with no trouble be dismayed. T. E. KENT, the 4th of the Seventh Month, 1650.

An emotion of fear, for example, or surprise, is not a direct effect of the object's presence on the mind, but an effect of that still earlier effect, the bodily commotion which the object suddenly excites; so that, were this bodily commotion suppressed, we should not so much feel fear as call the situation fearful; we should not feel surprise, but coldly recognize that the object was indeed astonishing.

In persons whose tastes assert themselves imperiously, and who have not the gift, habit, or incentive to discriminate between the grounds of their various judgments of taste, the deliverances of the sense of the honorific coalesce with those of the sense of beauty and of the sense of serviceability in the manner already spoken of; the resulting composite valuation serves as a judgment of the object's beauty or its serviceability, according as the valuer's bias or interest inclines him to apprehend the object in the one or the other of these aspects.

Then it will be: As the length of the stick's shadow is to the length of the stick itself, so is the length of the shadow of the object to the object's height. By Reflection Place a vessel of water upon the ground and recede from it until you see the top of the object reflected from the surface of the water.

But it and the object are both of them bits of the general sheet and tissue of reality at large; and when we say that the idea leads us towards the object, that only means that it carries us forward through intervening tracts of that reality into the object's closer neighborhood, into the midst of its associates at least, be these its physical neighbors, or be they its logical congeners only.

An emotion of fear, for example, or surprise, is not a direct effect of the object's presence on the mind, but an effect of that still earlier effect, the bodily commotion which the object suddenly excites; so that, were this bodily commotion suppressed, we should not so much feel fear as call the situation fearful; we should not feel surprise, but coldly recognize that the object was indeed astonishing.

Love is my bus'ness, that of all the World; Only my Flame as much surmounts the rest, As is the Object's Beauty I adore. Cel. If this be all, to tell me of your Love, To morrow might have done as well. Bel. Oh, no, to morrow would have been too late, Too late to make returns to all my Pain. What disagreeing thing offends your Eyes?