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Updated: June 5, 2025


In England, then as now, it was enough for a man to try and produce any serious beautiful work to lose all his rights as a citizen; and besides this, the pre-Raphaelite Brotherhood among whom the names of Dante Rossetti, Holman Hunt and Millais will be familiar to you had on their side three things that the English public never forgives: youth, power and enthusiasm.

Went down to the ceremony. Came back at 7 and dined with Millais to meet the Lord Chancellor. Mrs. Procter died. 9th Emperor William of Germany died. Various dinners. April 10th. Gladstone dined at The Club. Froude, Smith, Hewett, and Hooker there. 27th Left London for Basle with Christine at 11 A.M. and arrived there, and thence, at Lucerne, on the 28th at 9 A.M. Capital journey.

While the "Painter's Camp" was progressing, which was to be the foundation of my husband's success, three pictures had been sent to the Academy and rejected; but after the first feeling of disappointment he was cheered up again by a favorable opinion from Millais about those pictures one of them in particular, a sailing-boat on Loch Awe in the twilight, which was pronounced true in effect and color.

Greece was pre-eminently the land of productive guilds, of families of artists, of groups of workers who were of one heart and one spirit, and who therefore worked in one style. One of the closest parallels to a Greek school of sculpture is to be found in the group of Pre-Raphaelite artists of the middle of the last century, Morris, Burne-Jones, Rossetti, Millais, Collins, and their companions.

Was not the world much more interested in the form and spirit of classic beauty such as that represented by Sir John Millais? Would it not prefer Rossetti's "Blessed Damozel" to any street scene ever painted? He could never be sure. In the very hour of his triumph when the Sun had just praised his picture, there lurked the spectre of possible intrinsic weakness.

He knows that any one can look upon the "Huguenot Lovers," by Millais, and feel responsive; for it occupies a great plane, a part of which may be mistaken for passion.

"It is," he writes, "with the appearance of Frederick Sandys, Rossetti, Walker, Pinwell, A. Boyd, Houghton, Small, du Maurier, Keene, Crane, Leighton, Millais, and Tenniel, with the publication of the Cornhill, Once a Week, Good Words, The Shilling Magazine, and such books as Moxon's Tennyson that the best period of English illustration begins."

He looked upon Millais and Hunt as a Low-church bishop would regard Newman and Pusey. He prophesied that they would come to no good.

Perhaps the most explicit description of the perfect Basset-hound is still that compiled twenty-five years ago by Sir John Millais. It is at least sufficiently comprehensive and exact to serve as a guide: "The Basset, for its size, has more bone, perhaps, than nearly any other dog. For the size of the hound I think the teeth are extremely small.

This place, just as it was when we lived there, is to be seen in the frontispiece to the first edition of that novel, having the good fortune to be delineated by no less a pencil than that of John Millais.

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