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Darling Melot is, I need not tell you, fully appreciated at Winkley." This was the seat of Sir Matthew, in Essex. Sanchia, for her part, having regained the throne of her serenity from which Vicky had toppled her of late by means of Philippa, was able to contemplate this singular parent of hers with the interest due to a curious object, and some internal amusement.

If now I lead you aright, follow me also that road. Before either could stop her she was on her knees at her daughter's foot. Isoult dropped with a little cry, but the elder had her way. She kissed the foot, and then stood by the throne to watch the homage paid. One by one they came sidling up. Melot was pushed into the front rank; her shrewdness paid so much penalty.

Tristan offers no explanations, but touched by the King's bitter reproaches provokes Sir Melot to combat and allows himself to be mortally wounded. The third act opens in Brittany, whither Kurwenal, Tristan's faithful henchman, has taken him. A shepherd lad watches from a neighboring height to announce the appearance of a vessel, for Kurwenal has sent for Isolde to heal his master's wound.

To him belonged Pippa and Sancie, Melot and Vicky. If he had a nearer passion, it was to stand well with all the world. That's two passions, however, to his score; and the struggle between them, in Sanchia's case, had taken him as near tragedy as the easy man could go. Heaven be praised, the good times were come again.

The cast was as follows: Isolde, Lilli Lehmann; Brangane, Marianne Brandt; Tristan, Albert Niemann; Kurwenal, Adolf Robinson; Konig Marke, Emil Fischer; Melot, Rudolph von Milde; ein Hirt, Otto Kemlitz; ein Steuermann, Emil Saenger; ein Seemann, Max Alvary. Two circumstances bid us look a little carefully into the instrumental prelude with which Wagner has prefaced his drama.

Tristan cannot answer; he perceives only that Mark's love is a more terrible menace for them than any trap laid by Melot. Without their passion they cannot live, and it is not Melot and the general outside world that threaten to sunder them, but their protector and dearest friend. The passion is irresistible, and Tristan faces the inevitable.

Brangaene's cry to him not to close the gate he takes to signify that she is in league with the enemy. Melot's voice, just outside: "Back, madman! Bar not the way!" calls forth a fierce laugh: "Hurrah for the day which gives me the chance to have at you!" The gate resists but a moment; Melot is first to break in. Kurwenal with a savage cry cuts him down.

Isoult escaped from the noisy herd round the buttery fire, lit her torch at a cresset, disregarded Melot languishing in a dark corner, and met her lord in mid hall. "Take me to bed, Roy," said he, looking at her strangely. Isoult led the way; he followed her close. She went into the dark room with her torch while Prosper stood in the doorway.

Against Melot she warns her, Melot, who, when he came aboard the ship with King Mark to receive the bride, and the kindly King was engrossed by anxiety for the condition of the pale and fainting princess, with treacherous, suspicious eye, Brangaene had seen it, scrutinised the countenance of Tristan, to read in it what might thereafter serve his purpose.

Tristan, after being wounded by Melot, has been carried off by Kurwenal to his own home, Kareol in Brittany, where he is discovered lying asleep on his couch in the castle garden, Kurwenal by his side. Isolde alone can cure the sick man, and word has been sent to her to come from Cornwall.