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Updated: September 2, 2025
Gregory VII, who was a great magician, having been informed of the place where it had been hidden, had resolved on getting possession of it himself, but death prevented him from carrying out his intentions. After the death of the Countess Mathilda, in the year 1116, the genius presiding over all hidden treasures appointed seven spirits to guard the box.
Out of the whole collection of stray creatures, it was the young Peter and the jolly little Rags, Anna could not find it in her heart to part with. These became part of the household of the good Anna's Miss Mathilda. Peter was a very useless creature, a foolish, silly, cherished, coward male.
This friend was a dark, sweet, gentle little mother woman, very easy to be pleased in her own work and very good to servants, but she felt that acting for her young friend, the careless Miss Mathilda, she must be very careful to examine well and see that all was right and that Anna would surely do the best she knew.
Gregory VII, who was a great magician, having been informed of the place where it had been hidden, had resolved on getting possession of it himself, but death prevented him from carrying out his intentions. After the death of the Countess Mathilda, in the year 1116, the genius presiding over all hidden treasures appointed seven spirits to guard the box.
The Shelley-Rolls fragments, twenty-five sheets or slips of paper, usually represent additions to or revisions of The Fields of Fancy: many of them are numbered, and some are keyed into the manuscript in Lord Abinger's notebook. Most of the changes were incorporated in Mathilda. The second Abinger notebook contains the complete and final draft of Mathilda, 226 pages.
"Old Katy is just a rough old woman, Miss Mathilda," Anna said, "but I think I keep her here with me. She can work and she don't give me trouble like I had with Molly all the time." Anna always had a humorous sense from this old Katy's twisted peasant english, from the roughness on her tongue of buzzing s's and from the queer ways of her brutish servile humor.
An unpublished entry for October 27, 1822, reads: "Before when I wrote Mathilda, miserable as I was, the inspiration was sufficient to quell my wretchedness temporarily." The full passage follows: "Little harm has my imagination done to me & how much good!
She didn't say a word, Miss Mathilda, she just went off and left me there alone when I was sick after that awful hot summer that we had, and after all we done for her when she had no place to go, and all summer I gave her better things to eat than I had for myself. Miss Mathilda, there isn't one of them has any sense of what's the right way for a girl to do, not one of them."
"Sallie is such a pretty girl, Miss Mathilda," Anna said, "and she is so dumb and silly, and she puts on that red waist, and she crinkles up her hair with irons so I have to laugh, and then I tell her if she only washed her hands clean it would be better than all that fixing all the time, but you can't do a thing with the young girls nowadays Miss Mathilda.
But, no, it is not so; I have my Mathilda, my consolation, and my hope." My father was very little changed from what he described himself to be before his misfortunes.
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