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Miss Mathilda would go, and she was going far away to a new country where Anna could not live, for she would be too lonesome. There was nothing that these two could do but part. Perhaps we all be dead by then, the good Anna would repeat, but even that did not really happen. If we all live till then Miss Mathilda, came out truer.

Here in F of F B there is an index number which evidently points to a note at the bottom of the next page. The note is omitted in Mathilda. All minds, as mirrors, receive her forms yet in each mirror the shapes apparently reflected vary & are perpetually changing " See note 20. Mary Shelley had suffered this torture when Clara and William died. This sentence is not in F of F B or in S-R fr.

It was Mathilda, the Flemish princess and wife of the conqueror, who worked with her own hands the celebrated tapestry of Bayeux, on which is embroidered the whole history of the conquest, and which is the most curious monument of the state of the arts in that age.

Anna did not see Miss Mathilda and she did not like the friend who acted in her place.

"Sallie this ain't the same banana that I brought home yesterday, for Miss Mathilda, for her breakfast, and you was out early in the street this morning, what was you doing there?" "Nothing, Miss Annie, I just went out to see, that's all and that's the same banana, 'deed it is Miss Annie." "Sallie, how can you say so and after all I do for you, and Miss Mathilda is so good to you.

In May of 1820 she sent it to England by her friends, the Gisbornes, with a request that her father would arrange for its publication. But Mathilda, together with its rough draft entitled The Fields of Fancy, remained unpublished among the Shelley papers.

Anna had always a firm old world sense of what was the right way for a girl to do. No argument could bring her to sit an evening in the empty parlour, although the smell of paint when they were fixing up the kitchen made her very sick, and tired as she always was, she never would sit down during the long talks she held with Miss Mathilda.

I have discovered that black is positively disagreeable to him. So Mathilda will have to devise something else. 'April 5. He is away at Florence, and I am working at some difficult points for him about some suppressed monasteries. I have asked Count B , who knows all about such things, to help me, and am working very hard. He comes back in four days. 'April 9. He came back to-day.

"You bad dog," Anna said to Peter that night, "you bad dog." "Peter was the father of those pups," the good Anna explained to Miss Mathilda, "and they look just like him too, and poor little Foxy, they were so big that she could hardly have them, but Miss Mathilda, I would never let those people know that Peter was so bad."

The reference to Diana, with the father's rationalization of his love for Mathilda, is in S-R fr but not in F of F A. In F of F A this is followed by a series of other gloomy concessive clauses which have been scored out to the advantage of the text. This paragraph about the Steward is added in Mathilda. In F of F A he is called a servant and his name is Harry. See note 29.