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Updated: May 19, 2025
It did not even occur to the poor deaf man that Mumu would betray herself by her whining; in reality, everyone in the house was soon aware that the dumb man's dog had come back, and was locked up in his garret, but from sympathy with him and with her, and partly, perhaps, from dread of him, they did not let him know that they had found out his secret.
He crumbled some bread into it, cut the meat up small, and put the plate on the ground. Mumu began eating in her usual refined way, her little muzzle daintily held so as scarcely to touch her food. Gerasim gazed a long while at her; two big tears suddenly rolled from his eyes; one fell on the dog's brow, the other into the soup. He shaded his face with his hand.
Gerasim turned round, saw lights and shadows moving in the windows, and with an instinct of coming trouble in his heart, put Mumu under his arm, ran into his garret, and locked himself in. A few minutes later five men were banging at his door, but feeling the resistance of the bolt, they stopped. Gavrila ran up in a fearful state of mind, and ordered them all to wait there and watch till morning.
Mumu gave a faint whine, as though she would complain and apologise.... The old lady moved back, scowling. The dog's sudden movement had frightened her. 'Ah! shrieked all the companions at once, 'she's not bitten you, has she? Heaven forbid! 'Take her away, said the old lady in a changed voice. 'Wretched little dog! What a spiteful creature!
First he fed Mumu with a bit of bread, fondled her, and put her to bed, then he fell to meditating, and spent the whole night long in meditating how he could best conceal her. At last he decided to leave her all day in the garret, and only to come in now and then to see her, and to take her out at night.
Just as "Poverty Is No Crime" shows the influence of the Slavophile movement, "A Protégée of the Mistress" was inspired by the great liberal movement that bore fruit in the emancipation of the serfs in 1861. Ostróvsky here departed from town to a typical country manor, and produced a work kindred in spirit to Turgénev's "Sportsman's Sketches," or "Mumu."
The old lady took them, but began again at once in a tearful voice complaining of the dog, of Gavrila, and of her fate, declaring that she was a poor old woman, and that every one had forsaken her, no one pitied her, every one wished her dead. Meanwhile the luckless Mumu had gone on barking, while Gerasim tried in vain to call her away, from the fence.
Gerasim turned round, saw lights and shadows moving in the windows, and with an instinct of coming trouble in his heart, put Mumu under his arm, ran into his garret, and locked himself in. A few minutes later five men were banging at his door, but feeling the resistance of the bolt, they stopped. Gavrila ran up in a fearful state of mind, and ordered them all to wait there and watch till morning.
First he fed Mumu with a bit of bread, fondled her, and put her to bed, then he fell to meditating, and spent the whole night long in meditating how he could best conceal her. At last he decided to leave her all day in the garret, and only to come in now and then to see her, and to take her out at night.
His anxiety was unnecessary, however; Gerasim was no longer in the yard. On coming out of the house he had at once missed Mumu. He never remembered her failing to wait for his return, and began running up and down, looking for her, and calling her in his own way.... He rushed up to his garret, up to the hay-loft, ran out into the street, this way and that.... She was lost!
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