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Updated: May 1, 2025
In 1811 he met Amalia Seebald, and soon afterward inscribed in her album the sentiment: "Ludwig von Beethoven, Whom if you ever would, Forget you never should." His feeling for her was not exactly the effervescent feeling of youth, but the quieter, deeper sentiment of personal esteem and affection, which comes later in life, and is therefore more lasting.
Jack, Frank and Harris, on either side of von Ludwig, confronted them. "Men," said von Ludwig, "I am the new commander of this ship and we shall get under way immediately. Fearing that you will not always obey my commands, I have brought along these little persuaders." A pair of automatics flashed in his hands and covered the ten sailors. "Hands up!" he cried.
For before they are quite up to the spot where he has halted, they perceive a large space of whitish colour, where the surface mud has been tossed and mixed up with the substratum of saltpetre all done by the hoofs of horses, as even at a distance they can tell. "Come along here, you laggards!" cries Ludwig in a tone of triumph; "I've something to show you. Feast your eyes upon this!"
In what other way can the name of Langdon be cleared from pending disgrace?" Oswald now desires to live until justice triumphs. He sometimes feels assurance that all will be righted. It is difficult to restrain his curiosity within discreet bounds. The camp discussions help to divert his thought from somber reflections. These informal debates take wide range. Karl Ludwig is a versatile German.
The young gentleman happened to turn round, and he immediately embraced Ludwig, crying out, "My dear old fellow!" The latter was not a little astonished to see his old friend Euchar, for it was he who had got out of the carriage. "My dear fellow," he said, "who is that terribly muffled-up lady? and the old gentleman?
The next year saw the turning-point in Wagner's career. Ludwig of Bavaria invited him to come to Munich, the political ban was removed, and "Tristan und Isolde" had its first performance, to the joy of the composer and a host of his friends, on June 10, 1865, at the Royal Court Theatre of the Bavarian capital, under the direction of Hans von Bolow.
Considerable support was managed to be raised for Waldemar. Kaiser Karl regularly infeoffed him as real Kurfurst, so far as parchment could do it; and in case of his decease, says Karl's diploma farther, the Princes of Anhalt shall succeed, Ludwig in any case is to be zero henceforth. War followed, or what they called war: much confused invading, bickering and throttling, for two years to come.
One of the most prominent contributors to that journal, Ludwig Gumplovich, the author of a monograph on the history of the Jews in Poland, who subsequently made a name for himself as a sociologist, and, after his conversion to Christianity, received a professorship at an Austrian university, opened his series of articles on Polish-Jewish history with the following observation: "The fact that the Jews had a history was their misfortune in Europe.... For their history inevitably presupposes an isolated life severed from that of the other nations.
That very night Adalbert was seized ignominiously and dragged before the Emperor. By Ludwigs side stood the false Bishop. What means this outrage? cried the Count, looking from one to the other. Thou art a traitor, said Ludwig, and must suffer the death of a traitor. Adalbert addressed himself to the Bishop.
Instead of despising him because he would never make a timber-merchant or a tree expert, they admired and respected him because he was a poet. The family he lived with, Herr Henschel and Frau Henschel, and his fellow-boarders, Carl and Otto Kraus, and young Ludwig Henschel, and Hedwig and Löttchen admired and respected him because he was a poet.
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