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Updated: June 23, 2025


The medicine is potent for good, and were it my child yea, mine own, as well as thine! I could do no better for it." As she still hesitated, being, in fact, in no reasonable state of mind, he took the infant in his arms, and himself administered the draught. It soon proved its efficacy, and redeemed the leech's pledge.

And my love of them is tinged with awe, as was Leech's love of that mighty, beautiful, but most uncertain quadruped, the thoroughbred horse for, like him, when they are good, they are very, very good, but when they are bad, they are horrid.

The widow lived in the leech's house with her children and grandchildren, and often visited her husband's grave. At length she was laid to rest by him and his soft-hearted mother, in the cemetery of Alexandria.

In the street, which they soon reached through a side door, she again almost lost consciousness, and half awake but half as in a dream, she heard the leech's voice as he cautioned the bearers to walk carefully, and saw the people, and vehicles, and horsemen pass her on their way.

The leech's pretty Greek greeting "Rejoice!" sounded rather like "May you choke!" as he flung aside his upper garment; and to the old man's answer and anxious exclamation: "How badly you look, Philip!" he answered crossly: "Like a man who deserves a kick rather than a welcome; a booby who has submitted to have his nose pulled; a cur who has licked the hand of the lout who has thrashed him!"

At the door of the establishment, they met the leech who had been summoned some little time ago to hold himself in readiness for any eventuality. The great eventuality had occurred: it was beyond the leech's learning.

A social painter must be of the world which he depicts, and native to the manners which he portrays. Now, any one who looks over Mr. Leech's portfolio must see that the social pictures which he gives us are authentic.

As there was no American "Punch," and to this time has been none, to give small boys the sense and the imagination of living with their public administrators, Daniel Webster and Charles Sumner had never become, for my fancy, members of a class, a class which numbered in England, by John Leech's showing, so many other members still than Lords Brougham, Palmerston and John Russell.

He had indignantly rejected the leech's proposal to use a litter in the house also, if the gout tortured him. Majesty, whose nature demands that people should look up to it, shuns the downward glance of compassion. Yet during this walk the Emperor Charles, even at the risk of presenting a pitiable spectacle, would gladly have availed himself of the litter.

There is nothing of the amateur about him; his knowledge of harmony in black and white is complete and thorough; mere consummate scoring has become to him a second nature; each separate note of his voice reveals the long training of the professional singer; and if his tunes are less obviously sweet and his voice less naturally winning and sympathetic than Leech's, his aesthetic achievement is all the greater.

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