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Updated: May 14, 2025


Even as Izumo is especially the province of the gods, and the place of the childhood of the race by whom Izanagi and Izanami are yet worshiped, so is Kitzuki of Izumo especially the city of the gods, and its immemorial temple the earliest home of the ancient faith, the great religion of Shinto.

The room is neat and spacious; Shinto kakemono from Kitzuki are suspended in the toko and upon the walls; and in one corner I see a very handsome Zen-but-sudan, or household shrine. I could not have believed there were so many people in Kaka-ura. In a Japanese house, during the hot season, everything is thrown open to the breeze.

But her extraordinary beauty seems to have attracted many spectators, and to have proved more than successful as an exhibition. Sanza's purse became well filled. Yet the dance of O-Kuni in the Shijo-Kawara was nothing more than the same dance which the miko of Kitzuki dance to-day, in their crimson hakama and snowy robes a graceful gliding walk.

Moreover, there are families in Izumo particularly in Kitzuki whose members do not profess Buddhism in any form, and a very few, belonging to the Shin-shu or Nichirenshu, whose members do not practise Shinto. But the domestic cult of the dead is maintained, whether the family be Shinto or Buddhist.

O-Kuni then returned to her native place, to ancient Kitzuki, where she cut off her beautiful hair, and became a Buddhist nun. She was learned for her century, and especially skilful in that art of poetry called Renga; and this art she continued to teach until her death.

Her family enjoyed certain privileges for several centuries because she had founded the whole art of the Japanese stage; and until so recently as the Restoration the chief of the descendants of Nakamura Mongoro was always entitled to a share in the profits of the Kitzuki theatre, and enjoyed the title of Zamoto. The family is now, however, very poor.

Only the level blue of the flood under the hollow blue of the sky and, just beyond the promontory, one far, small white speck: the sail of a junk. The horizon is naked. Gone! but how soundlessly, how swiftly! She makes nineteen knots. And, oh! Koto-shiro-nushi-no-Kami, there probably existed eggs on board! KITZUKI, July 20, 1891. AKIRA is no longer with me.

It lies toward the rear of the city proper, at the foot of the wooded mountains; and we are too tired and hungry to visit it now. So we halt before a spacious and comfortable-seeming inn, the best, indeed, in Kitzuki and rest ourselves and eat, and drink sake out of exquisite little porcelain cups, the gift of some pretty singing-girl to the hotel.

They have ceased to believe as they did in former times, that anyone upon whom the Kokuzo fixes his eye at once becomes unable to speak or move; but when he passes among them through the temple court they still prostrate themselves along his way, as before the Ikigami. KITZUKI, July 23rd

I am thus assured that even should I not be permitted to enter the temple a privilege accorded to but few among the Japanese themselves I shall at least have the honour of an interview with the Guji, or Spiritual Governor of Kitzuki, Senke Takanori, whose princely family trace back their descent to the Goddess of the Sun.

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