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She spoke, moved, posed, gesticulated, with an inborn genius shining through every motion and tone like an illuminating lamp. "Josie, what are you doing?" It was Cyrus who spoke, advancing into the room like a stern, hard impersonation of judgment. Joscelyn's outstretched arm fell to her side and she turned sharply around; fear came into her face and the light went out of it.

Once she overlooked one and Cyrus found it when he was kindling the fire. He got the scissors and cut it out carefully. A month later Deborah discovered it between the leaves of the family Bible. But Joscelyn's name was never mentioned between them, and when other people asked them concerning her their replies were cold and ungracious.

They would have liked to cast those painted fans and lace frills and beflounced lingerie into the fire as if they had been infected rags from a pest-house. The path thus set for Joscelyn's dancing feet to walk in was indeed sedate and narrow.

"Cyrus, Josie is play-acting in the room ... laughing and reciting and going on. I heard her. Oh, I've always feared it would break out in her and it has! Come you and listen to her." The old couple crept through the kitchen and across the hall to the open parlour door as if they were stalking a thief. Joscelyn's laugh rang out as they did so ... a mocking, triumphant peal.

Cyrus would not read them at first; later on he read them stealthily when Deborah was out of the house. When Joscelyn began to succeed she sent to the old farmhouse papers and magazines containing her photographs and criticisms of her plays and acting. Deborah cut them out and kept them in her upper bureau drawer with Joscelyn's letters.

She was seldom allowed to mingle with the young people of even quiet, harmless Spring Valley; she was never allowed to attend local concerts, much less take part in them; she was forbidden to read novels, and Cyrus Morgan burned an old copy of Shakespeare which Paul had given him years ago and which he had himself read and treasured, lest its perusal should awaken unlawful instincts in Joscelyn's heart.

"Well, that Shirley snippet certainly isn't that," said Mrs. William sarcastically. "And if Joscelyn's tongue was one third as long as Anne Shirley's the wonder to me is that she didn't talk you all to death out of hand." "Little Joscelyn wasn't much of a talker," said Aunty Nan dreamily. "She was kind of a quiet child. But you remember what she did say. And I've never forgotten little Joscelyn."

William flounced out of the kitchen, Jordan took his satisfaction in a quiet laugh. Up-stairs in the little room was a great glory of sunset and gladness of human hearts. Joscelyn was kneeling by the bed, with her arms about Aunty Nan; and Aunty Nan, with her face all irradiated, was stroking Joscelyn's dark hair fondly. "O, little Joscelyn," she murmured, "it seems too good to be true.

William, rather overcome at hearing this great singer pronounce such an encomium on quiet, timid old Aunty Nan. Jordan drove Joscelyn back to Kensington; and up-stairs in her room Aunty Nan slept, with that rapt smile on her face and Joscelyn's red roses in her hands. Thus it was that Mrs. William found her, going in the next morning with her breakfast.

The girl's passion for reading was so marked that her grandparents felt that it was their duty to repress it as far as lay in their power. But Joscelyn's vitality was such that all her bonds and bands served but little to check or retard the growth of her rich nature. Do what they might they could not make a Morgan of her.