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Updated: May 14, 2025


Then, he had just discovered a deplorable faculty; a new cause for being unhappy. The sight of this foolishness made him suffer. How these coarse young men lied! Gustave seemed to him a genuine idiot, Arthur Papillon a pedant, and as to Jocquelet, he was as unbearable as a large fly buzzing between the glass and the curtain of a nervous man's room.

Maurice had seemed indifferent and less cordial than usual. "What is the matter with him?" said the poet to himself several times, while dining in the little restaurant in the Latin Quarter. He afterward went to the Comedie Francaise, to kill time, as well as to inquire after his drama of Jocquelet, who played that evening in 'Le Legataire Universel'.

A make-believe actor, he puts on airs, and in the three minutes that he has been in the room he has looked at his retrousse nose and his coarse face, made to be seen from a distance, ten times in the mirror. His first care is to inform Amedee that he has renounced his name Gorju, which was an impossible one for the theatre, and has taken that of Jocquelet.

However, Jocquelet, in the old artisan's role, was emphatic and exaggerated, and an ugly and commonplace debutante was an utter failure. The criticisms, generally routine in character, were not gracious, and the least surly ones condemned Amedee's attempt, qualifying it as an honorable effort.

The vehicle hurried them quickly along toward the quay, crossed the Seine, the Carrousel, and passed before the Theatre-Francais, at which Jocquelet, thinking of his approaching debut, shook his fist, exclaiming, "Now I am ready for you!" Here the young men were planted upon the asphalt boulevard, in front of the Cafe de Seville.

It is Jocquelet, the future comedian, with his turned-up nose, which cuts the air like the prow of a first-class ironclad, superb, triumphant, dressed like a Brazilian, shaved to the quick, the dearest hope of Regnier's class at the Conservatoire-Jocquelet, who has made an enormous success in an act from the "Precieuses," at the last quarter's examination he says so himself, without any useless modesty Jocquelet, who will certainly have the first comedy prize at the next examination, and will make his debut with out delay at the Comedie Francaise!

Paul Sillery does not trouble himself about it, however; and from time to time returns to the "Seville" and treats its members to a bumper all around, which he pays for with the gold of his dishonor. Sometimes Jocquelet appears, with his smooth-shaved face; but only rarely, for he is at present a very busy man and already celebrated.

However, Jocquelet, in the old artisan's role, was emphatic and exaggerated, and an ugly and commonplace debutante was an utter failure. The criticisms, generally routine in character, were not gracious, and the least surly ones condemned Amedee's attempt, qualifying it as an honorable effort.

Jocquelet was interested in only one person in this world, and that person was named Jocquelet. One is either an actor or he is not. This personage was always one wherever he was in an omnibus, while putting on his suspenders, even with the one he loved.

He took the sheets out of his pocket, and, leading the comedian into a solitary by-path of sycamores which skirted the Luxembourg orangery, he read his poem to him in a low voice. Jocquelet, who did not lack a certain literary instinct, was very enthusiastic, for he foresaw a success for himself, and said to the poet: "You read those verses just like a poet, that is, very badly.

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