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Updated: June 15, 2025
Isadora said he would help the kettle was too heavy for the girls to carry. He was adjured to be very, very careful and the girls followed him to the door in a body when he carried out the steaming couldron. "Do pour it carefully, Izzy!" cried Helen. "If that boy spoils it, I'll never forgive him," sighed Heavy. Ruth ran out after him.
"All right all right drive me crazy because he's got a birthday." "Leon baby if you don't stop hollering you'll make yourself sick. Abrahm, I never saw him like this he's green " "I'll green him. Where is that old feedle from Isadora that seventy-five-cents one?" "I never thought of that! You broke it that time you got mad at Isadore's lessons. I'll run down.
There had been bare-foot dancers before Isadora; there had been, I venture to say, discinct "Greek dancers." Isadora's contribution to her art is spiritual; it is her feeling for the idea of the dance which isolates her from her contemporaries. Many have overlooked this essential fact in attempting to account for her obvious importance.
Yet the dread of having to try the feat himself made him admire the manner in which Carson tossed about long creepy-sounding words, like a bush-ape playing with scarlet spiders. He talked insultingly of Yeats and the commutation of sex-energy and Isadora Duncan and the poetry of Carson Haggerty.
Think, Carl, I'm going to study dancing at Madame Vashkowska's school she was with the Russian ballet & really is almost as wonderful a dancer as Isadora Duncan or Pavlova. Perhaps I'll teach all these ducky new dances to children some day. I'm just terribly excited to be here, like the silliest gushiest little girl in the world.
It must be admitted that one of the Tanagra figurines is sadly suggestive of a characteristic pose in the cake-walk though it may well be that it is a mere pose which led to none of the abominations with which our stage has been deluged! In the case of Isadora Duncan we have seen poses and movements of extraordinary beauty, exquisitely sympathetic with fine music.
"We shift and bedeck and bedrape us, Thou art noble and nude and antique;" Swinburne's "Dolores." I have a fine memory of a chance description flung off by some one at a dinner in Paris; a picture of the youthful Isadora Duncan in her studio in New York developing her ideals through sheer will and preserving the contour of her feet by wearing carpet slippers. The latter detail stuck in my memory.
Plainly, our educators have begun to be educated since 1870. Of course, there is dancing and dancing. The real thing bears the same relation to dancing as it is understood in Mayfair, as the music of Schubert does to that of Sousa. The ideal dancing for girls is such as that illustrated by the children trained by Miss Isadora Duncan.
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