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Updated: May 9, 2025
In 1847, through the influence of powerful friends, he received permission to leave Russia for travel abroad. He never again saw his native land, all the remaining years of life being spent in exile. After a tour of Italy, Herzen arrived in Paris on the eve of the Revolution of 1848, joining there his friends, Bakunin and Turgeniev, and many other revolutionary leaders.
In spite of the severe prohibitive system that came in force after 1848, the teachings of English and French Socialists penetrated into Russia even in this period, and were disseminated by such eminent men as Tschernichevsky, Dobrolinbow, Herzen, Ogarjow, and others, to wider circles, and again we see that interest is chiefly taken in Proudhon's doctrines.
I mean that he went on to evil for the sake of evil. Herzen wished for the happiness of the Slav peasant; Pougatcheff wanted to be elected Emperor, but all that Bakounine wanted, was to overthrow the actual order of things, no matter by what means, and to replace social concentration by a universal upheaval.
Duetto: Seiner Lehre heller Schein, Drang in tausend Herzen ein, Drang in tausend Herzen ein. Pause: Zwingel kam Und Calvin, Traten auf in Christi Sinn; Duetto: Und verbreiten Licht und Heil Segensvoll in ihrem Teil. Ganzer Chor: Millionen feiern heut', Dankbar froh' im hoeh'ren Ton, Dieses Fest dem Menschensohn." Reformed and Lutheran Minutes on Lancaster Seminary.
'Ach die zärtlichen Herzen! ein Pfuscher vermag sie zu rühren! Like Wordsworth, he might say 'To stir the blood I have no cunning art. There are no cheap effects in any of Newman's writings. He is the most undemocratic of teachers. Such men do what can be done to save a nation from itself, its natural enemy.
This occurred at a meeting of one of the "Students' Circles" founded by Herzen for the dissemination of revolutionary Socialist ideals among the students. Upon his return to Moscow in 1840 Herzen, together with Bakunin and other friends, again engaged in revolutionary propaganda and in 1842 he was again exiled.
"Wälschen Dunst und wälschen Tand...." How that reproachful speech seems to be misplaced when one is listening to the honest thought expressed in César Franck's music. In Les Béatitudes, nothing, or next to nothing, was done for art's sake. It is the soul speaking to the soul. As Beethoven wrote, at the end of his mass in D, "Vom Herzen ... zu Herzen!"
The paper had a very brief life, and Herzen himself was soon expelled from France, going to Switzerland, of which country he became a citizen. The paper had to be smuggled into Russia, of course, and the manner in which the smuggling was done is one of the most absorbing stories in all the tragic history of the vast land of the Czars.
Was im Herzen sie im Stillen Fest verschliessen, stumm verhüllen, Ist ihr richtigs Angesicht." An overwhelming majority of Germans believe that this is man's real portrait; an overwhelming majority of Americans would not even understand it. The German army is the antidote to this lack of physical discipline, this lack of strenuous physical life.
But Ravel is full of a lyricism, a piercingness, a passionateness, that much of the music of Debussy successive to "Pelléas" wants. We understand Ravel's music, in the famous phrase of Beethoven, as speech "vom Herz zu Herzen." And we turn to it gratefully, as we turn to all art full of the "sense of tears in mortal things," and into which the pulse of human life has passed directly.
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