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Updated: April 30, 2025
I have a little picture, scarlet hood and all, that I would not exchange for the most beautiful one that Greuze ever painted. Not that her face bore any resemblance to the pictures of Greuze. It had neither the sweet simplicity of the girl in "The Broken Pitcher," nor the sentimental graces which he bestows on his court beauties.
Besides, in order to improve myself, I copied some of the pictures of Rubens, some of Rembrandt's and Van Dyck's heads, as well as several heads of girls by Greuze, because these last were a good lesson to me in the demi-tints to be found in delicate flesh colouring. Van Dyck shows them also, but more finely.
"I painted it before I knew how to paint," and standing before me, his palette in his hand, he expounded his new aestheticism: that up to the beginning of the nineteenth century all painting had been done first in monochrome and then glazed, and what we know as solid painting had been invented by Greuze.
The old collector walked in his dressing-gown along the narrow spaces between the credence-tables and the sideboards that lined the wall; his feet bare, his head on fire. His first glance of ownership told him that everything was there; he turned to go back to bed again, when he noticed that a Greuze portrait looked out of the frame that had held Sebastian del Piombo's Templar.
After Greuze came my good friend, Mme. de Bonneuil, as pretty as ever; the dear creature was preserved in a truly wonderful manner. She told me that her daughter, Mme. Regnault de Saint-Jean-d'Angély, was to give a ball the following night, and that I must come unfailingly. I answered that I had no ball dress, and then showed her that famous piece of Indian stuff given me by Mme.
Remonencq's receipt was worded in precisely the same way; a Greuze, a Claude Lorraine, a Rubens, and a Van Dyck being disguised as pictures of the French and Flemish schools. "Der monny makes me beleef dot the chimcracks haf som value," said Schmucke when the five thousand francs were paid over. "They are worth something," said Remonencq.
Of course I have other reasons for thinking so dozens of exiguous threads which lead vaguely up towards the centre of the web where the poisonous, motionless creature is lurking. I only mention the Greuze because it brings the matter within the range of your own observation." "Well, Mr. Holmes, I admit that what you say is interesting: it's more than interesting it's just wonderful.
To explain myself I will tell an anecdote which is always told whenever Delacroix's name is mentioned, without, however, the true significance of the anecdote being perceived. After seeing Constable's pictures, Delacroix repainted one of his most important works from end to end. Millet seems to me to be a sort of nineteenth century Greuze.
The truth is, Greuze is as sentimental as a bullfinch, but he has hardly a natural note in his gamut. Nature is not only never his model, she is never his inspiration. He is distinctively a literary painter; but this description is not minute enough. His conventions are those not merely of the littérateur, but of the extremely conventional littérateur.
Flora watched her curiously across the table that evening, wondering what was that quality of hers by which she acquired. Hitherto Flora had accepted it as a fact without question, but now she had a desire to place it. It was not beauty, for though Clara was pretty, like a polished Greuze, she was colorless and flavorless, lacking the vivid heat of magnetism.
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