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Fourteen statues stood on pedestals set in the corners of the room, or among the pictures, or on brackets inlaid by Boule; sideboards of carved ebony, royally rich, surrounded the walls to elbow height, all the shelves filled with curiosities; in the middle of the room stood a row of carved credence-tables, covered with rare miracles of handicraft with ivories and bronzes, wood-carvings and enamels, jewelry and porcelain.

Fourteen statues stood on pedestals set in the corners of the room, or among the pictures, or on brackets inlaid by Boule; sideboards of carved ebony, royally rich, surrounded the walls to elbow height, all the shelves filled with curiosities; in the middle of the room stood a row of carved credence-tables, covered with rare miracles of handicraft with ivories and bronzes, wood-carvings and enamels, jewelry and porcelain.

He delighted in lecterns and credence-tables, in services at dark hours of winter mornings when no one would attend, in high waistcoats and narrow white neckties, in chanted services and intoned prayers, and in all the paraphernalia of Anglican formalities which have given such offence to those of our brethren who live in daily fear of the scarlet lady.

It was crammed with packing cases and miscellaneous objects pieces of furniture, oak settees, chests, credence-tables, strong-boxes a whole confused heap of the kind which one sees in the basement of an old curiosity shop. On his right and left, Beautrelet perceived the wells of two staircases, the same, no doubt, that started from the cave below.

The old collector walked in his dressing-gown along the narrow spaces between the credence-tables and the sideboards that lined the wall; his feet bare, his head on fire. His first glance of ownership told him that everything was there; he turned to go back to bed again, when he noticed that a Greuze portrait looked out of the frame that had held Sebastian del Piombo's Templar.

"If you send Prasville," Lupin declared, "the place is so arranged that I shall see him coming and that I shall have time to escape, after setting fire to the trusses of hay and straw which surround and conceal your credence-tables, clocks and Gothic virgins." "But your shed will be burnt down..." "I don't mind that: the police have their eye on it already. I am leaving it in any case."

The old collector walked in his dressing-gown along the narrow spaces between the credence-tables and the sideboards that lined the wall; his feet bare, his head on fire. His first glance of ownership told him that everything was there; he turned to go back to bed again, when he noticed that a Greuze portrait looked out of the frame that had held Sebastian del Piombo's Templar.