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Updated: April 30, 2025
<b>MAYER, MARIE FRANÇOISE CONSTANCE.</b> As early as 1806 this artist received a gold medal from the Paris Salon, awarded to her picture of "Venus and Love Asleep." Born 1775, died 1821. She studied under Suvée, Greuze, and Prud'hon. There are various accounts of the life of Mlle. Mayer. That of M. Charles Guenllette is the authority followed here. It is probable that Mlle.
Pons was of the opinion of Chenavard, the print-collector, who laid it down as an axiom that you only fully enjoy the pleasure of looking at your Ruysdael, Hobbema, Holbein, Raphael, Murillo, Greuze, Sebastian del Piombo, Giorgione, Albrecht Durer, or what not, when you have paid less than sixty francs for your picture. Pons never gave more than a hundred francs for any purchase.
Chardin is a painter who seems to me, at least, to stand quite apart, quite alone, in the development of French painting, whereas there could not be a more marked instance of the inherence of the classic spirit in the French æsthetic nature than is furnished by Greuze.
Of the older painters, Fragonard and Greuze were the only important ones left, and as they could not under the altered circumstances be considered as rivals to the classical David, they both saw the century out. Fragonard simply ceased painting for want of patrons, and David was good enough to procure him a post in the Museum des Arts, or he would have starved.
Nor was this all. There were fine gentlemen with swords and silk waistcoats and silver shoe-buckles, and ladies in filmy summer gowns. Greuze ruled the mode in France then, but New Orleans had not got beyond Watteau. As for Nick and me, we knew nothing of Greuze and Watteau then, and we could only stare in astonishment.
Of course I have other reasons for thinking so dozens of exiguous threads which lead vaguely up towards the centre of the web where the poisonous, motionless creature is lurking. I only mention the Greuze because it brings the matter within the range of your own observation." "Well, Mr. Holmes, I admit that what you say is interesting: it's more than interesting it's just wonderful.
Then Ramage appeared with effusion, and ushered her into his inner apartment. The three young men exchanged expressive glances. The inner apartment was rather gracefully furnished with a thick, fine Turkish carpet, a good brass fender, a fine old bureau, and on the walls were engravings of two young girls' heads by Greuze, and of some modern picture of boys bathing in a sunlit pool.
In the oval medallions supported by cupids, is found a domestic scene by a Fragonard or a Chardin; and the portraits of innocent children by Greuze replace the courting shepherds and mythological goddesses of Boucher and Lancret. Sculpture, too, becomes more refined and decorous in its representations. As with architecture, decoration, painting, and sculpture, so also with furniture.
He passed the threshold again with a little sigh, and saw suddenly before him at the end of the suite of rooms, and framed in the doorways facing him, an engraving of a Greuze picture a girl's face turned over her shoulder, the hair waving about her temples, the lips parted, the teeth gleaming, mirth and provocation and tender yielding in every line.
It was a spacious room, with pale high-hung draperies, a scent of flowers, such things as an etching of Greuze, an ivory and ebony crucifix over the bed. Captain Filbert remembered the crucifix afterward with a feeling almost intense, also some silver-backed brushes on the toilet-table.
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