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A description of them appeared in the press, and rich amateurs inquired whether he were willing to sell; but, either because he asked too much or really did not want to part with them, they were kept, as also his Christ by Bouchardon or Girardon, which he obtained for two hundred francs and valued at several thousands.
There, too, was Le Brun, the painter, discussing art in a small circle which contained his fellow-workers Verrio and Laguerre, the architects Blondel and Le Notre, and sculptors Girardon, Puget, Desjardins, and Coysevox, whose works had done so much to beautify the new palace of the king.
In the hall of the sixteenth century is a fine statue of Henry the IVth, by Franchville, which is considered to be an admirable likeness of that wonderful man. In the hall of the seventeenth century, is a noble figure, representing religion, by Girardon. In the cloisters are several curious statues, stained glass windows, and tesselated pavement.
"I will immediately satisfy it," answered she, "but what I have to say must be told to yourself alone." "Well, then," said the marechale, "I will leave you for the present: I am going to admire that fine group of Girardon"; and so saying, she quitted the walk in which I was standing.
Ye Gods! what a prostitution of talent! This is the master-piece of GIRARDON; but, in point of execution, many connoisseurs prefer the mausoleum of the crafty MAZARIN, whom COYZEVOX has pourtrayed in a supplicating posture. LEWIS XIII, surnamed the Just, less great than his illustrious subject, DE THOU, casts down his eyes in the presence of his ministers.
Mignard the painter, Girardon, sculptor, whose monument to Richelieu in the church of the Sorbonne will not fail to be visited by English travellers, and of the famous painter on glass, Linard Gonthier, who had engraved on his tomb that he awaited the Last Day, "Sans peur d'etre ecrase."
Great painters and sculptors, such as Le Brun, Poussin, Claude Lorrain, and Girardon, ornamented the palaces which Mansard erected; while Le Notre laid out the gardens of those palaces which are still a wonder. It must be borne in mind that Louis XIV. had an intuitive perception of genius and talent, which he was proud to reward and anxious to appropriate.
"Bossuet and Fénelon taught his children; Bourdaloue and Massillon adorned his chapel; La Chaise and Le Tellier directed his conscience; Boileau and Molière sharpened his wit; La Rochefoucauld cultivated his taste; La Fontaine wrote his epigrams; Racine chronicled his wars; De Turenne commanded his armies; Fouquet and Colbert arranged his finances; Molé and D'Aguesseau pronounced his judgments; Louvois laid out his campaigns; Vauban fortified his citadels; Riquet dug his canals; Mansard constructed his palaces; Poussin decorated his chambers; Le Brun painted his ceilings; Le Notre laid out his grounds; Girardon sculptured his fountains; Montespan arranged his fêtes; while La Vallière, La Fayette, and Sévigné all queens of beauty displayed their graces in the Salon de Venus."
Not only were the most celebrated sculptors then in France, GASPAR and BALTHAZAR MARSY, REGNAUDIN, and GIRARDON, chosen to execute them; but their emulation was also excited by a premium of three hundred louis, which was promised to him who should excel. GIRARDON obtained it by the execution of the following pieces of sculpture: 1.
The unity of organization, the brilliancy of style, the imposing majesty which the king's taste had everywhere stamped about him upon art as well as upon literature, were by this time beginning to decay simultaneously with the old age of Louis XIV., with the reverses of his arms, and the increasing gloominess of his court; the artists who had illustrated his reign were dying one after another, as well as the orators and the poets; the sculptor James Sarazin had been gone some time; Puget and the Anguiers were dead, as well as Mansard, Perrault, and Le Notre; Girardon had but a few months to live; only Coysevox was destined to survive the king, whose statue he had many a time moulded.
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