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Updated: July 28, 2025
A similar examination was made at the Frari at about the same time by the Abbe Fulin; and I myself, in 1894, not knowing at the time that the discovery had been already made, made it over again for myself.
His Frari altar-piece undoubtedly had influence on the Bellini in the Sacristy, but it is less beautiful, although possibly a deeper sincerity informs it. Other musicianly angels are here, and this time they make their melody to S. Mark. In the next chapel are some pretty and cool grey and blue tombs. Chief of the tombs in this corner is the fine monument to Jacopo Marcello, the admiral.
The trefoil is from the Frari, Venice, and has a richly worked capital in the Byzantine manner, an imitation, I think, of the Byzantine work by the Gothic builders: 1 is to be compared with it, being one of the earliest conditions of the cross shaft, from the atrium of St. Ambrogio at Milan. 13 is the nave pier of St.
The mornings are spent in study, sometimes among pictures, sometimes in the Marcian Library, or again in those vast convent chambers of the Frari, where the archives of Venice load innumerable shelves. The afternoons invite us to a further flight upon the water. Both sandolo and gondola await our choice, and we may sail or row, according as the wind and inclination tempt us.
I give a reproduction opposite page 252, but the colour cannot be suggested. The other great Frari picture stronger than this but not more attractive is the famous Titian altar-piece, the "Pesaro Madonna". This is an altar-piece indeed, and in it unite with peculiar success the world and the spirit.
In 1498 he had advanced so far as to be spoken of as anticipating Giorgione and Titian, in the effect of light and in the roundness and softness of the figures of the Resurrection, at Bragora. His last work, the altar-piece at the Frari, was completed after his death in 1504 by his pupil Basaiti. Bartolommeo Montagna, Jacopo da Valenza and Lorenzo Lotto were the chief of his other pupils.
Still he did not answer; and at last, despairing of any other means of moving him, she had written that she would come disguised to his dwelling on that evening, after the music in the Frari. For she always knew where he was to sing, and she never missed an opportunity of hearing him.
These various forms of Gothic, the distinctive architecture of Venice, chiefly represented by the churches of St. John and Paul, the Frari, and San Stefano, on the ecclesiastical side, and by the Ducal palace, and the other principal Gothic palaces, on the secular side, will be the subject of the third division of the essay. § XXXIV. Now observe.
Few contrasts are at first sight more striking than the contrast between the building of the Renascence which contains his forty masterpieces and the great mediæval church of the Frari which stands beside it. But a certain oneness after all links the two buildings together.
It was a great day for the friars of the Servi, who were rivals of the Frari both in learning and splendor, and the entire Servite Brotherhood, black-robed and white-cowled, was just coming in sight over the little marble bridge, preceded by youthful choristers, chanting as they came and bearing with them that famous banner which had been sent them as a gift from their oldest chapter of San Annunziata in Florence, and which was the early work of Raphael.
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