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To the fashion for the Bellinesque conceptions of a certain class, even Alvise Vivarini, the vigorous head of the opposite school in its latest Quattrocento development, bowed when he painted the Madonnas of the Redentore and S. Giovanni in Bragora at Venice, and that similar one now in the Vienna Gallery. Lorenzo Lotto, whose artistic connection with Alvise Mr.

The churches of San Giacopo dell'Orio, San Giovanni in Bragora, the Carmine, and one or two more, furnish the only important examples of it. Paul and the Frari began rapidly to affect the Venetian-Arab school.

Which he did, and they are San Giovanni in Bragora, and San Zaccaria. "Then appeared to him the apostles of Christ, wishing, they also, to have a church in this new city: and they committed it to him that where he should see twelve cranes in a company, there he should build it." Of the Baptistery mosaics the most scanned will always be that in which Salome bears in the head.

The churches of San Giacopo dell' Orio, San Giovanni in Bragora, the Carmine, and one or two more, furnish the only important examples of it. Paul and the Frari began rapidly to affect the Venetian-Arab school.

Tramore expressed the wish to stay at home, and the motive of this wish a finer shade than any that even Ruskin had ever found a phrase for was not translated into misrepresenting words by either the mother or the daughter. At San Giovanni in Bragora the girl and her companion came upon Mrs. Vaughan-Vesey, who, with one of her sisters, was also endeavouring to do the earnest thing.

This picture having been brought to completion in 1510, and Cima's great altar-piece with the same subject, behind the high-altar in the Church of S. Giovanni in Bragora at Venice, being dated 1494, the inference is irresistible that in this case the head of the school borrowed much and without disguise from the painter who has always been looked upon as one of his close followers.

You catch a glimpse of a divine head, of a fig tree against a mellow sky, but the rest is impenetrable mystery. You renounce all hope, for instance, of approaching the magnificent Cima da Conegliano in San Giovanni in Bragora; and bethinking yourself of the immaculate purity that shines in the spirit of this master, you renounce it with chagrin and pain.

The Ponte di Paglia A gondolier's shrine The modern prison Danieli's A Canaletto S. Zaccaria A good Bellini A funeral service Alessandro Vittorio S. Giovanni in Bragora A good Cima The best little room A seamen's institute Carpaccio at his best The story of the dragon The saint triumphant The story of S. George S. Jerome and the lion S. Jerome and the dog S. Tryphonius and the basilisk S. Francesco della Vigna Brother Antonio's picture The Giustiniani reliefs Cloisters A Veronese Doge Andrea Gritti Doge Niccolò Sagredo.

In 1498 he had advanced so far as to be spoken of as anticipating Giorgione and Titian, in the effect of light and in the roundness and softness of the figures of the Resurrection, at Bragora. His last work, the altar-piece at the Frari, was completed after his death in 1504 by his pupil Basaiti. Bartolommeo Montagna, Jacopo da Valenza and Lorenzo Lotto were the chief of his other pupils.

This brings us to S. Giovanni in Bragora, S. John's own church, built according to his instructions to Bishop Magnus, and it has one of the keenest little sacristans in Venice. From altar to altar he bustles, fixing you in the best positions for light. The great picture here is the Cima behind the high altar, of which I give a reproduction opposite page 136.