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Updated: June 15, 2025


The first grand number in the second act is Elvira's mad song, "Qui la voce," in which are brought out not only that rare gift for expressing pathos in melody for which Bellini is so famous, but the sweetest of themes and most graceful of embellishments.

"You've had your revenge, Miss Nott, for the fright I once gave you," he said a little uneasily, "for you quite startled me just now as you passed. I began to think the Pontiac was haunted. I thought you were a ghost. I don't know why such a ghost should FRIGHTEN anybody," he went on with a desperate attempt to recover his position by gallantry. "Let me see that's Donna Elvira's dress is it not?"

The vision of Elvira's pale beauty and his quick intuition of the dangers she has run in forcing her way to him produce a sudden revulsion of feeling towards her, a flood of passionate reconciliation; he is at her feet once more; he feels that she is true, that she is his.

Henrietta, widow of Charles I., is at this time a prisoner in the fortress, under sentence of death passed by Parliament. Arthur discovers her situation, and by concealing her in Elvira's bridal veil seeks to effect her escape. On their way out he encounters his rival; but the latter, discovering that the veiled lady is not Elvira, allows them to pass.

Macias is arrested after a tumultuous scene, and is led away, shaking off Elvira's efforts to save him with bitter contempt, and breaking loose from her with the prophecy that in every joy of the future and every incident of her wedded life, the spectre of his murdered love will rise before her, and 'every echo and every breeze repeat the fatal name, Macias.

Derrick hesitated for a moment; then he remembered Donna Elvira's injunction that he should bear his assumed name while in London. "Sydney Green, sir." "And you have come from abroad?" said Mr. Clendon. "I can see that by your tanned face, by the character of your attire." "From South America," said Derrick. "I am here on a mission, on business for an employer.

"No, she did not want to go home. She never wanted to go back to River Hollow." Nor would she even kiss him till she had extorted the assurance that he had been shaved that morning. The old man went away blessing Mrs. Brownlow's kindness to his child, and Janet was universally scouted for muttering that it was a heartless little being. She alone remained unenthralled by Elvira's chains.

It occurred to Léon that his constitution demanded the use of some tobacco; and he undid his fingers from Elvira's in order to roll a cigarette. It was gently done, and he took care that his indulgence should in no other way disturb his wife's position. But it seemed to catch the eye of the painter's wife with a special significancy.

The omission of the comic scene of Diego, which Kotzebue himself intended to omit, the judicious suppression of Elvira's love for Alonzo, the introduction, so striking in representation, of Rolla's passage across the bridge, and the re-appearance of Elvira in the habit of a nun, form, I believe, the only important points in which the play of Mr.

Gould should not have telegraphed to him Elvira's flight. When at last Mrs. Brownlow held that the interview must come to an end, and with preliminary warning opened the door, there they were, with clasped hands, such as Elvira had never endured since she was a mere child!

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