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Updated: May 7, 2025
Irony is the keynote of the work, a keynote sounded in the dedication, "To my master, the philosopher of the unconscious, Eduard von Hartmann, this attempt in ornamental disenchantment is dutifully inscribed."
He was now the head of his own school for boys, and these first six pupils as he hoped with the confidence in the star of success peculiar to so many men of genius must soon increase to twenty. Some of these boys were specially gifted: one became the scholar and politician Julius Froebel, who belonged to the Frankfort Parliament of 1848, and another the Jena Professor of Botany, Eduard Langethal.
Send me soon your instructions for the "Flying Dutchman." I should like you to write a few lines to Marr, so as to gain his goodwill completely for your cause and to induce him to undertake the stage-management of the "Flying Dutchman." Eduard Devrient paid me a visit last month. We talked a great deal about you, and I hope he will do something useful in Carlsruhe later on.
I received special recognition from a man to whom I quite rightly gave the credit of being at least as well versed as myself in the matter. This was Eduard Devrient, who had been forced at that time to resign his position as stage manager-in-chief owing to a plot against him on the part of the actors, headed by his own brother Emil.
Investigators who like Wilhelm Wundt, rise from natural science to philosophy, or such as take their starting-point from philosophy whether they be theists, like Lotze, I. H. Fichte, Ulrici, or occupy the ground of a pessimistic pantheism, as does Eduard von Hartmann, all share this view and its fruits.
In this perplexity I addressed myself with perfect frankness at first only for advice to the judge of the Imperial Provincial Court, Eduard Liszt, the youthful uncle of my old friend Franz. During my first stay in Vienna this man had shown himself a warmly devoted friend, always ready to help me.
Can you by that time prepare an orchestral work for the purpose? perhaps your "Faust" overture for I should like to produce a new work by you besides the "Tannhauser" overture. Eduard Devrient wrote to me some days ago that the Court Marshal, Count Leiningen, who is a friend of mine, had spoken to him of the plan for a musical festival, to be conducted by me.
When Froebel, in the spring of 1817, resigned his position, his friend Langethal begged him to take his brother Eduard as another pupil, and thus Pestalozzi's enthusiastic disciple and comrade found his dearest wish fulfilled.
I arrived at Domodossola in the afternoon in a blaze of sunshine, and I was reminded here of a charming comedy by an author whose name I have forgotten, which I had once seen performed with a refinement worthy of Platen, and to which my attention had been drawn by Eduard Devrient in Dresden.
He was now the head of his own school for boys, and these first six pupils as he hoped with the confidence in the star of success peculiar to so many men of genius must soon increase to twenty. Some of these boys were specially gifted: one became the scholar and politician Julius Froebel, who belonged to the Frankfort Parliament of 1848, and another the Jena Professor of Botany, Eduard Langethal.
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