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Updated: May 25, 2025


But the French speculations on Progress did not touch his imagination; they left him cool and sceptical. The retarding demons are always there, intervening and resisting at every point, so that, though there is an advance on the whole, it is very slow. Live longer and you will find that I am right. "'The development of humanity, said Eckermann, 'appears to be a matter of thousands of years.

Said he to Eckermann, one day in the year 1825: 'These twenty years the public has been contending as to which is the greater, Schiller or I; they ought rather to be glad that they have a brace of such fellows to quarrel about. In all his talks with Eckermann Goethe remained steadfastly faithful to the memory of his friend, giving no comfort to those who were using his own name as a bludgeon wherewith to batter the prestige of Schiller.

Goethe said to Eckermann in 1827 that Carlyle was a moral force so great that he could not tell what he might produce. His influence has been, though not continuously progressive, more marked than that of any of his compeers, among whom he was, if not the greatest, certainly the most imposing personality.

The German had resumed his situation as commercial clerk and foreign correspondent to Eckermann & Co., so that his circumstances had also improved. The pair had even had some conversation as to the expediency of migrating into larger and more expensive lodgings, but the major's increasing intimacy with his fair neighbour opposite stood in the way of a change.

The first two acts are truly a masterpiece of exposition, from which one learned much and can always learn." Nothing can be droller than the occasional translation by Vischer of a sentence of Lessing into his own jargon. Eckermann, Gespraeche mit Goethe, III. 229. "We have had the great professor and founder of the philosophy of Vanity in England.

Eckermann is inferior as a biographer to Boswell, and his book is neither so interesting nor amusing; but Goethe was far greater than Johnson, and his talk is cosmopolitan and broad, while Johnson's is apt to be insular and narrow.

He recommended Shakespeare and Milton of course; Gibbon's "Decline and Fall"; Boswell's "Life of Johnson"; Goethe's conversations with Eckermann and Goethe's autobiography. "Faust" he spoke of in rather a slighting manner; he did not think it possessed the eternal spirit.

It extends almost to the day of his death, and includes letters from Eckermann giving an account of his last moments. The last twelve years of Goethe's life, when he had passed his seventieth birthday, were occupied by his criticisms on the literature of foreign countries, by the Wanderjahre, and the second part of Faust. He was the literary dictator of Germany and of Europe.

There is what Goethe called a demonic influence in the art of Correggio: 'In poetry, said Goethe to Eckermann, 'especially in that which is unconscious, before which reason and understanding fall short, and which therefore produces effects so far surpassing all conception, there is always something demonic. It is not to be wondered that Correggio, possessed of this demonic power in the highest degree, and working to a purely sensuous end, should have exercised a fatal influence over art.

It is a subject to paint, which has never been well treated; the passionate friendships of a Tattet for a Musset, of an Eckermann for a Goethe, of an Asselineau for a Beaudelaire, the total absorption of the admirer in the admired. Florent found that the genius of the great painter had need of a fortune, and he gave him his sister.

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