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Updated: June 2, 2025


In a shady retreat on the ship after lunch sat the Harrises, Leo, the judge, and Dr. Argyle, the latter reading a French novel. Leo had just finished a new novel entitled "A Broken Promise," Alfonso had read three hundred pages in one of Dickens's novels that tells so vividly how the poor of London exist. Dr. Argyle said, "Judge, what do you think of novels anyway?"

The incident is the success of the day, and is obviously intended to have some kind of reflex action in amusing the reader. In Dickens's maturer books the burlesque little girl imitates her mother's illusory fainting- fits. Our glimpses of children in the fugitive pages of that day are grotesque. A little girl in Punch improves on the talk of her dowdy mother with the maids.

That's all the sense they've got. All they can see is SIZE. Why, look at England. It's the most important country in the world; and yet you could put it in China's vest-pocket; and not only that, but you'd have the dickens's own time to find it again the next time you wanted it. And look at Russia.

The poetry of solitude was frozen into prose, and the low temperature around me made life under a roof seem attractive for the time being, though, judging from the general aspect of things, there was not much to look forward to, in either a social or comfortable light, in my immediate vicinity. I was, however, too cold and too hungry to be dainty, and felt like Dickens's Mrs.

The verse, moreover, in the passage is freer than usual from many of Crabbe's eccentricities. It is marked here and there by his fondness for verbal antithesis, almost amounting to the pun, which his parodists have not overlooked. The second line indeed is hardly more allowable in serious verse than Dickens's mention of the lady who went home "in a flood of tears and a sedan-chair."

That was a notable event in Dickens's life, for it is well known what followed from that initial public recital; and the place where the step was taken naturally becomes a landmark in his life; and so the Old Royal Hotel, Birmingham, if for no other reason, claims to be remembered as a notable and important one in Dickens annals. Continuing their journey, the Pickwickians duly reached Coventry.

Something more seems hinted at in the cutting short of Edwin Drood by Dickens than the mere cutting short of a good novel by a great man. It seems rather like the last taunt of some elf, leaving the world, that it should be this story which is not ended, this story which is only a story. The only one of Dickens's novels which he did not finish was the only one that really needed finishing.

But you can read him again and again with unceasing delight, and with delight of a kind given by no other novelist. It has not been thought necessary to insert criticism of Dickens's individual novels.

If we have seen it, it is futile to argue with us; and we have seen the vision of Pickwick. Pickwick may be the top of Dickens's humour; I think upon the whole it is. But the broad humour of Pickwick he broadened over many wonderful kingdoms; the narrow pathos of Pickwick he never found again.

He could not make me out when I criticised the style of Dickens; and when I praised Thackeray's style to the disadvantage of Dickens's he could only accuse me of a sort of aesthetic snobbishness in my preference. Dickens, he said, was for the million, and Thackeray was for the upper ten thousand. His view amused me at the time, and yet I am not sure that it was altogether mistaken.

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