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The men whose names were widest known were not the men who shone the brightest in Deleglise's kitchen; more often they appeared the dull dogs, listening enviously, or failing pathetically when they tried to compete with others who to the public were comparatively unknown.

Observing old Deleglise's guests, comparing them with their names, it surprised me the disconnection between the worker and the work. Writers of noble sentiment, of elevated ideality, I found contained in men of commonplace appearance, of gross appetites, of conventional ideas. It seemed doubtful whether they fully comprehended their own work; certainly it had no effect upon their own lives.

Of old Deleglise's Sunday suppers, which, costumed from head to foot in spotless linen, he cooked himself in his great kitchen, moving with flushed, earnest face about the gleaming stove, while behind him his guests waited, ranged round the massive oaken table glittering with cut glass and silver, among which fluttered the deft hands of Madeline, his ancient whitecapped Bonne, much has been already recorded, and by those possessed of greater knowledge.

She paused at the door of the studio. "I'll just get rid of these," she said, "and then I will be with you." A wood fire was burning on the open hearth, flashing alternate beams of light and shadow down the long bare room. The high oak stool stood in its usual place beside the engraving desk, upon which lay old Deleglise's last unfinished plate, emitting a dull red glow.

But let us hope you are wrong, Paul. Let us hope, for her sake, you are wrong." It was at one of Deleglise's Sunday suppers that I first met Urban Vane. The position, nor even the character, I fear it must be confessed, of his guests was never enquired into by old Deleglise.

Old Deleglise would not hear of it; but a week or two later I noticed an addition to old Deleglise's studio furniture in the shape of a handsome old carved cabinet twelve feet high. "He really had done it," explained old Deleglise, speaking in a whisper, though only he and I were present. "Of course, it was only his fun; but it might have been misunderstood.

Clearly they were two creations originally independent of each other, settling down into a working partnership for purposes merely of mutual accommodation; the spirit evidently indifferent as to the particular body into which he crept, anxious only for a place to work in, easily contented. Varied were these guests that gathered round old Deleglise's oak.

Urban Vane I had discovered to be a common swindler. His play he had stolen from the desk of a well-known dramatist whose acquaintance he had made in Deleglise's kitchen. The man had fallen ill, and Vane had been constant in his visits. Partly recovering, the man had gone abroad to Italy. Had he died there, as at the time was expected, the robbery might never have come to light.

She was not beautiful, not then plain one might almost have called her but for her frank, grey eyes, her mass of dark-brown hair now gathered into a long thick plait. A light came into old Deleglise's eyes. "You are right, not all," he murmured to the red-haired man. She came forward shyly.

She smiled back in return, and went her way. A rain began to fall. I paused upon the doorstep for a minute, enjoying the cool drops upon by upturned face, the tonic sharpness of the keen east wind; then slipped my key into the lock and entered. The door of old Deleglise's studio on the first floor happened to be open.