United States or Norfolk Island ? Vote for the TOP Country of the Week !
Nothing helps one to grasp the essence of M. d'Indy's personality more than his last dramatic work. His personality shows itself plainly in all his compositions, but nowhere is it more evident than in L'Étranger. Poem and music by M. Vincent d'Indy. Played for the first time at Brussels in the Théâtre de la Monnaie, 7 January, 1903.
Saint-Saëns, Massenet, and Bizet, with Bemberg, Vidal and Duparc the song-writers, together with a little group of the younger school, d'Indy, Charpentier and their set, were gathered together to prepare a festival for Prince Gregoriev, showering on him attentions of every kind; and laboring tirelessly to convince him of their admiration and their "sympathetic appreciation."
The most esteemed masters of the French school, such as Massenet, Reyer, Chausson, and Vincent d'Indy, had to seek refuge in the Théâtre de la Monnaie at Brussels before they could get their works received at the Opera in Paris. And the classical composers fare no better.
Of the younger men the most prominent are Vincent d'Indy, Gustave Charpentier, and Claude Debussy. Vincent d'Indy's 'Fervaal' was produced at Brussels in 1897 and was given in Paris shortly afterwards.
Although Berlioz has his place at the Chevillard and Conservatoire concerts, it is to the Châtelet that his followers flock; and their enthusiasm has not been affected by the campaign that for several years has been directed against Berlioz by some French critics under the influence of the younger musical party the followers of d'Indy and Debussy.
Though D'Indy is surpassed in a certain poetic originality by some of his compatriot contemporaries, there is in this symphony a breadth of design and detail, a clear melodic quality and a sustained lofty feeling that seem to mark it the typical French symphony of its time. The strength of the work lies in a unity that is not merely of figure and outline.
"Our revered father, Franck," said Vincent d'Indy, in a speech, "is in some ways the grandfather of the Schola Cantorum; for it is his system of teaching that we apply and try to carry on here." The influence of Franck was twofold: it was artistic and moral.
But it is foolish to wish an artist to do anything but the thing he likes; he is the best judge of what pleases him. The power of that evocation is so strong that it carries the poet along with it. In this sketchy portrait I must not forget one of the finest of this composer's gifts his talent as a teacher of music. Everything has fitted M. d'Indy for this part.
It must be remembered that M. d'Indy is a musician familiar with the music of other countries and other times; all kinds of musical forms are floating in his mind; and he seems sometimes to hesitate between them.
Musicians nowadays are no longer entirely absorbed in their notes, but let their minds go out to other interests. And it is not one of the least interesting phenomena of French music to-day that gives us these learned and thoughtful composers, who are conscious of what they create, and bring to their art a keen critical faculty, like that of M. Saint-Saëns, M. Dukas, or M. d'Indy.
Word Of The Day