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Now, since Cristofano was thus careless of his person and hated nothing more than to have to put on new clothes or to go about too tightly constrained and confined in them, Vasari, who knew this humour of his, whenever he observed that he was in need of any new clothes, used to have them made for him in secret, and then, early one morning, used to place these in his chamber and take away the old ones; and so Cristofano was forced to put on those that he found.

But returning to Parri: after the said work, he painted in fresco in a chapel of the Church and Hospital of S. Cristofano, beside the Company of the Nunziata, for Mona Mattea de' Testi, wife of Carcascion Florinaldi, who left a very good endowment to that little church; and there he made Christ Crucified, with many angels round Him and above Him, flying in a certain dark sky and weeping bitterly. At the foot of the Cross, on one side, are the Magdalene and the other Maries, who are holding the fainting Madonna in their arms; and on the other side are S. James and S. Christopher. On the walls he painted S. Catherine, S. Nicholas, the Annunciation, and Jesus Christ at the Column; and, in an arch over the door of the said church, a Piet

This work, when finished, was vastly extolled by his Excellency and by Messer Sforza himself, who, like the courteous gentleman that he was, wished to reward with a considerable present the art and industry of Cristofano; but he would have none of it, being contented and fully repaid by the goodwill of that lord, who loved him ever afterwards more than I could say.

However, he did not succeed in being able to rest during that time, for the reason that he could not refuse to go in those days to Cortona, where he painted in fresco the vaulting and the walls of the Company of Jesus with the assistance of Cristofano, who acquitted himself very well, and particularly in the twelve different sacrifices from the Old Testament which they executed in the lunettes between the spandrels of the vaulting.

"I called you Jews, because, besides that you are held and known as Jews by everyone, that look of yours, which is not of our country, convinced me of it." "Enough," said Cristofano, "you shall see that we do the work of Christians."

But the Duke recognizing that Maestro Pietro had neither invention nor power of design enough to make in that place a beginning that might afterwards in time receive that ornamentation which the site and the waters required, one day that his Excellency was on the spot, speaking of this with such men as Messer Ottaviano de' Medici and Cristofano Rinieri, the friend of Tribolo and the old servant of Signora Maria and of the Duke, they extolled Tribolo in such a manner, as a man endowed with all those parts that were requisite in the head of such a fabric, that the Duke gave Cristofano a commission to make him come from Bologna.

There, having taken in hand the Hall of the Elements, while Vasari was painting the pictures of the ceiling, Cristofano executed some devices that bind together the friezes of the beams in perpendicular lines, in which are heads of capricorns and tortoises with the sail, devices of his Excellency.

But because in doing this, before it could become possible to paint, much time had to be devoted to reconstructing the ceilings and to other works in that apartment and in others, Vasari himself obtained leave to go to Arezzo to spend two months there together with Cristofano.

But in order that the rise of this craftsman may be better known, let me begin with his origin, and relate that, according to common report, there was born in the city of Perugia, to a poor man of Castello della Pieve, named Cristofano, a son who was baptized with the name of Pietro.

And, what was more, he said to M. Pier Francesco, the majordomo, that it would be an excellent thing for the Duke to give Francesco some work of importance to execute; whereupon M. Pier Francesco and Cristofano Rinieri, who had the ear of the Duke, played their part in such a way, that M. Alamanno spoke to his Excellency, saying to him that Francesco desired to be commissioned to paint the Hall of Audience, which is in front of the Chapel of the Ducal Palace, and that he cared nothing about payment; and the Duke was content that this should be granted to him.