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Updated: June 27, 2025


Many of them, such as 'Betly, 'Linda di Chamonix, and 'Anna Bolena, were successful when produced; but Donizetti aimed merely at satisfying the prevailing taste of the day, and when a new generation sprang up with different sympathies from that which had preceded it, the operas which had seemed the most secure of popularity were soon consigned to oblivion.

The Founder of a New School of Singing. Pasta creates the Leading Rôles in Bellini's "Sonnambula" and "Norma" and Donizetti's "Anna Bolena." Decadence and Retirement.

The house was very fine, and a pleasanter audience than the first night. Found a letter from Mrs. Jameson after the play, with an account of Pasta's "Anna Bolena." How I wish I could see it! Wednesday, August 3d. Rose at seven, and went down to the sea to bathe.

During the season of six months she succeeded in establishing her place as one of the most brilliant singers of the age. She sang in cooperation with many of the foremost artists whose names are among the great traditions of the art. In "Don Giovanni," Rubini and Tamburini appeared with her; in "Anna Bolena," Mme. Tadolini, Santini, and Rubini. Even in Pasta's own great characters, where Mlle.

Pasta's illness caused the substitution of Schröder-Devrient in her place in the opera of "Anna Bolena," and the result was disastrous to the German singer. But she retrieved herself in the same composer's "Pirata," and her splendid performance cooperated with that of Rubini to produce a sensation.

The success of the latter was so great that it not only freed him from military service but gained him the honor of being crowned. The first opera which spread his reputation through Europe was "Anna Bolena," produced at Milan in 1830, and written for Pasta and Rubini. Two years afterwards, "L' Elisir d' Amore" appeared, which he is said to have written in fifteen days.

Lablache also appeared with Pasta in "Anna Bolena," and the great basso, mighty in bulk, mighty in voice, and mighty in genius, fairly startled the public by his extraordinary resemblance to Holbein's portrait of Henry VIII. After singing a farewell engagement in Paris, Mme. Pasta went to Milan to enjoy the last great triumph of her life in 1832 at La Scala.

Of this composer's long list of works only ten or eleven retain any hold on the stage, his best serious operas being "La Favorita," "Linda," "Anna Bolena," "Lucrezia Borgia," and "Lucia;" the finest comic works, "L'Elisir d'Amore," "La Fille du Regiment," and "Don Pasquale." In composing Donizetti never used the pianoforte, writing with great rapidity and never making corrections.

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