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He called both Lyman Cass the miller and the Finn homesteader from Lost Lake by their first names. He was known as "The Red Swede," and considered slightly insane. Bjornstam could do anything with his hands solder a pan, weld an automobile spring, soothe a frightened filly, tinker a clock, carve a Gloucester schooner which magically went into a bottle.

If these heresies are supported by the townsmen it is only by occasional teachers doctors, lawyers, the labor unions, and workmen like Miles Bjornstam, who are punished by being mocked as "cranks," as "half-baked parlor socialists." The editor and the rector preach at them. The cloud of serene ignorance submerges them in unhappiness and futility.

That she was right in her opinion of the play Carol was certain when Miles Bjornstam went out after the first act, and did not come back. Between the second and third acts she called the company together, and supplicated, "I want to know something, before we have a chance to separate. Whether we're doing well or badly tonight, it is a beginning. But will we take it as merely a beginning?

At least we expect that you others sha'n't try to be witty at our expense." There was weeping. Carol did desire to see the Prussian autocracy defeated; she did persuade herself that there were no autocracies save that of Prussia; she did thrill to motion-pictures of troops embarking in New York; and she was uncomfortable when she met Miles Bjornstam on the street and he croaked: "How's tricks?

I've had people that have traveled all over the world tell me time and again that Gopher Prairie is the prettiest place in the Middlewest. Good enough for anybody. Certainly good enough for Mama and me. Besides! Mama and me are planning to go out to Pasadena and buy a bungalow and live there." She had met Miles Bjornstam on the street.

Miles Bjornstam, the pariah "Red Swede," had brought his circular saw and portable gasoline engine to the house, to cut the cords of poplar for the kitchen range.

Del Snafflin's orchestra of piano, violin, and cornet began to tune up and every one behind the magic line of the proscenic arch was frightened into paralysis. Carol wavered to the hole in the curtain. There were so many people out there, staring so hard In the second row she saw Miles Bjornstam, not with Bea but alone. He really wanted to see the play! It was a good omen. Who could tell?

She raged, but so violent was the current of their respectability, so persistent was Aunt Bessie in running to her with their blabber, that she was embarrassed when she took Hugh to play with Olaf. She hated herself for it, but she hoped that no one saw her go into the Bjornstam shanty.

As she came out of the tent and walked with Kennicott down the dusty spring street, she peered at this straggling wooden village and felt that she could not possibly stay here through all of tomorrow. It was Miles Bjornstam who gave her strength he and the fact that every seat for "The Girl from Kankakee" had been sold. Bjornstam was "keeping company" with Bea.

I could invite a Miles Bjornstam to dinner without being afraid of the Haydocks . . . I think I could. "I'll take back the sound of Yvette Guilbert's songs and Elman's violin. They'll be only the lovelier against the thrumming of crickets in the stubble on an autumn day. "I can laugh now and be serene . . . I think I can." Though she should return, she said, she would not be utterly defeated.