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Updated: May 13, 2025
However, he had started an ambitious-looking overhaul operation, which looked as though it was good for a hundred hours but which could be dropped on a minute's notice, and under cover of this he had been taking on supplies and ammunition. We made a long audiovisual of Murell announcing his price of eighty centisols a pound for wax on behalf of Argentine Exotic Organics, Ltd.
In theory, I could tune it to the telecast station and put what I was getting right on the air, and what I was doing was transmitting to the Times, to be recorded and 'cast later. Because it's not a hundred per cent reliable, though, it makes its own audiovisual record, so if any of what I was sending didn't get through, it could be spliced in after I got back.
"Has anybody a portable audiovisual pickup that I can use to get some pictures in to my paper with?" That started general laughter among the operators on the ships that were coming in. "We have one, Walt," Oscar Fujisawa's voice told me. "I'm coming in ahead in the Pequod scout boat; I'll bring it with me." "Thanks, Oscar," I said. Then I asked him: "Did you see Bish Ware before you left port?"
Even if audiovisual and video techniques are more and more present in the on-line press, the most important thing is still its content, as Jean-Pierre Cloutier, the editor of the Chroniques de Cybérie, reminded us in his e-mail of June 8, 1998: "For the Chroniques de Cybérie, we could launch and maintain a formula because of the relatively low entry costs in this medium.
"Well, stay out of any fighting. Your job's to get the news, not play hero in gun fights. I'm no hero; that's why I'm sixty years old. I never knew many heroes that got that old." It was my turn to nod. On that, Dad had a point. I said something about getting the news, not making it, and checked the chamber and magazine of the Sterberg, and then slung my radio and picked up the audiovisual outfit.
Dad, as usual, was in a gray knee-length smock, with a pipe jutting out under his ragged mustache, and, as usual, he was stopping every minute or so to relight it. He was putting together the stuff I'd transmitted in for the audiovisual newscast.
Finally I got through with my interview, and then shot about fifteen minutes of audiovisual, which would be cut to five for the 'cast. By this time Bish and "Dr. Watson" had disappeared, I supposed to the ship's bar, and Ravick and his accomplices had gotten through with their conspiracy to defraud the hunters. I turned Murell over to Tom, and went over to where they were standing together.
Julio Kubanoff answered. "You getting everything I'm sending in?" I asked. "Yes. What's that two-em-dashed thing up ahead, one of the harbor dredgers?" "That's right. Hey, look at this, once." I turned the audiovisual down on the claw derrick. "The men on it look like Rodriguez & Oughourlian's people, but they say Steve Ravick sent it. What do you know about it?" "Hey, Ralph!
By the end of the fourth year, there was no audiovisual message from him in person, and a stiff complaint from Rovard Grauffis to the effect that His Majesty felt it unseemly for a subject to address his sovereign while seated, even by audiovisual.
The others broke away from the group, shouting the names of their ships to rally their crews. I hurried over to the jeep and checked my equipment. There wasn't too much film left in the big audiovisual, so I replaced it with a fresh sound-and-vision reel, good for another couple of hours, and then lifted to the ceiling.
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